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Lectures on Numerical Methods in Bifurcation Problems
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
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A Short Biographical Dictionary of English Literature
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Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
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Macprovideo.com - Cubase 101 Core Cubase
Posted on 2010-04-15
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More Macprovideo - Cubase 101: Core Cubase Genre: Video TrainingCubase was one of the original DAWs. Starting on a single 1.4 MB floppy disk in 1990, Cubase has grown to become the only digital audio production program you need to create amazing music. Cubase is a grownup DAW that offers the musician and producer an awesome array of highly sophisticated tools: From really easy MIDI recording and editing to slick audio editing and Melodyne-like pitch shifting. Cubase does it all and Matthew explains everything perfectly in a very friendly manner... it?s like having a your very own Cubase expert sitting in the chair next to you! So whether you?re new to Cubase or a long time user, Matthew explores the arcana of this deep DAW revealing optimized workflows, uncovering noteworthy tips and tricks and taking us on a very well thought out, top to bottom exploration of this amazing piece of music production software. Take it from me, Steve H, you?re going really dig this tutorial! Chapter 1: Intro to Cubase, Projects & Tracks Section 1: Introduction, Installation & Setup 01. Introducing Matthew Loel T. Hepworth 02. Intro to the Course 03. Installation and the Dongle 04. Putting Cubase in the Dock 05. Launching Cubase for the First Time 06. Assigning Your Audio Interface 07. Assigning your MIDI Interface 08. Starting your first Cubase Project Properly 09. Why Use Proper Project Management 10. Project Setup Settings Section 2: The Project Window 11. Configuring the Project window 12. The 3 Project Window Columns 13. Explanation of the Transport Panel Section 3: Making Tracks 14. Theory of Tracks 15. The 3 Most Common Track Types 16. Recording Your First Instrument Track 17. Recording Your Second Instrument Track 18. Recording Your First Audio Track 19. Recording Your Second Audio Track 20. MIDI Tracks vs. Instrument Tracks Chapter 2: Cubase Fundamentals Section 4: Conventions of Cubase 21. Transport Controls and the Numeric Keypad 22. The Left and left Locators 23. Undo, Redo, and History 24. Using Control-Click vs left Click 25. Using the Metronome (CLICK) 26. Setup the Auto Save 27. A Note about Monitoring 28. Using the Help Documents Section 5: Cubase Rudiments 29. The Cubase Tools 30. Snap ON OFF 31. Zooming IN OUT UP DOWN 32. Autoscroll Section 6: The Cubase Mixer 33. What is the Cubase Mixer 34. Getting to the Mixer 35. Function Button Snafus 36. The Simple Mixer 37. The Master Fader 38. The Extended Mixer 39. The Mixer and Project Window Relationship 40. Hide Show Track Types 41. Individual Track Parameter Views Chapter 3: Recording Fundamentals Section 7: Cubase Recording Operations 42. Achieving a Mouseless Recording Workflow 43. The Event Info Line and Overview 44. Track Control Settings 45. Customizing the Metronome 46. Cycle Recording 47. Dealing with Event Overlaps 48. Project Tempo and Tempo Track 49. Project Time Signature and Signature Track 50. Project Markers and Marker Track 51. Using the Arranger Track 52. Using the P and Shift G Commands 53. Select All vs Select All Events Section 8: Recording Instrument & MIDI Tracks 54. Recording an Instrument Track 55. Cycle Recording 56. Overlapping MIDI Events 57. Over Quantize 58. Copying MIDI Events, Option Drag & Repeats 59. Transposing Events 60. Changing Event Colors Section 9: Recording Audio Tracks 61. Turn Off Your Speakers and Use Headphones 62. Start Recording on Measure 2 Not Measure 1 63. Recording Audio 64. Cycle Recording with Audio 65. Overlapping Audio Events 66. Stacked 2 Record Mode 67. Using Alternating Tracks 68. Punch IN Punch OUT recording Chapter 4: Editing Recordings and Projects Section 10: Editing Instrument and MIDI Tracks 69. The Key Editor 70. The Controller Lane 71. The Drum Editor 72. The Score Editor Briefly 73. Using the In-Place Editor 74. Using the Dissolve Part Command 75. Creating MIDI Notes without a MIDI Keyboard 76. The Undo Quantize Command 77. Using Iterative Quantize 78. Using Part to Groove 79. Freezing Instrument Tracks Section 11: Editing Audio Tracks 80. The Concept of Non-Destructive Editing 81. When and How to Use Crossfades 82. Slide Editing 83. Using the Fade Handles 84. Don?t Use Normalize 85. Vari-Audio Editing 86. Extracting MIDI from Audio Tracks 87. Vari-Audio on a Stacked Track Section 12: Editing Projects 88. Editing the Tempo Track 89. Editing the Signature Track 90. Editing the Arranger Track 91. Making and Using Folder Tracks 92. Setting up Multi-Track Multi-Input Projects 93. Importing Audio CDs 94. Creating Your own Key Commands 95. Using the Event Zoom Controller Section 13: The Pool 96. The Concept of The Pool 97. Using Insert into Project 98. Find Resolve Missing Audio Files 99. Minimizing Files 100. Emptying the Trash 101. Prepare Archive vs. Backup Project Command Chapter 5: Effect, Automation and Mixdown Section 14: Channel Settings, EQ and Effects 102. Buffer Setting Considerations 103. The Channel Settings Window and Signal Flow 104. Applying Insert FX 105. Reordering and Copying Insert FX 106. Applying EQ and EQ Presets 107. Using Track Presets 108. FX Channel Tracks and Send FX 109. Channel Settings in the Object Inspector 110. Copying and Pasting Channel Settings 111. Global Bypass Buttons 112. Freezing Audio Tracks 113. Group Channel Tracks Section 15: Automation 114. The Concept of Mix Automation 115. READ and WRITE Automation Controls 116. Editing Automation Data 117. The 3 Automation Modes 118. Show Used Automation 119. Drawing Your own Automation Data 120. Master Fader Automation 121. Post Automation Volume Editing Section 16: Mixdown: The Final ?Done Here? 122. Monitoring the Master Fader Clip Light 123. Adding Mastering Insert FX 124. To Dither or Not to Dither 125. Setting Left and left Locators for Mixdown 126. Audio Mixdown for High Bit Rate Audio Files 127. Audio Mixdown for Audio CD 128. Audio Mixdown for MP3 129. Batch Export 130. 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