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«La Chicana - Ayer hoy era mañana»



This pub is meant as a special surprise for Francisco, dosamantes, el emigrante, cyberdux, sheriff, yuseng, ITD, whip, profumi, and Choochoo711, who all have expressed, in one way or another, how pleased they were with the other two La Chicana albums I posted here earlier. Ayer hoy era mañana is the (debut) album which completes La Chicana's small but promising discography, and one may hope that a whole lot more will still be forthcoming from them.

The title Ayer hoy era mañana (Yesterday today was tomorrow) points to the traditional and modern songs that, cleverly mixed, were selected for this recording, made up of tangos, milongas, a waltz, a chamame and a batucada.

A vigorous rhythm accompanies the voice of Dolores Solá. She knows perfectly well how to phrase a quaint sound to La Chicana's songs, which she attacks with panache.

Compared to the two later albums I already published here before, with this debut album one is clearly aware how the then still very young band is searching for identity... After all, this is the first record, where La Chicana was enabled to share their remarkable combinations of the old guard, tangos from the forties and their own songs with a wider audience - a method they further perfected on their subsequent albums.

For those of you who missed Tango Agazapado (2004) and/or Un Giro Extraño (2000), here are two buttons that will teleport you straight back to those pages:

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In Ayer hoy era mañana a thematic thread is distinguishable in many of the chosen lyrics: the one in which the author flares up to the woman that left the misery of her origins to dwell in the world of easy living. It can be found in Oro y plata, Farandulera, and La Marilyn. And from another angle also in La mina del Ford. Without forgetting the complaints of the deserted woman in Que queres con ese loro?.

Acho Estol´s compositions deserve some special attention, for he manages to combine magnificent musical rhythms with lyrics where today´s street language rehashes the traditional urban topics as well as those of other genres he visits. The rocker origin is expressed in the nostalgic La Patota, romanticism impregnates Una rosa y un farol and the horror experienced is expressed in Llamame chamame.

'Nough said. Dive in, and experience La Chicana one more time...and this time through a record where all of them were still wet behind their ears!

La Chicana are:

Dolores Solá vocals

Acho Estol guitar vocals & arrangements

Juan Valverde flute & clarinet

(38.1 MB)

(18.4 MB)

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Rating:
2.5 out of 5 by Book123