Gounod: Roméo & Juliette - Gheorghiu, Alagna, Plasson (3 CD)

Posted on 2010-12-09

Name:	Gounod: Roméo & Juliette - Gheorghiu, Alagna, Plasson (3 CD)
Publish Date:	2010
File size:	700 Mb
File Size:	700 MB
Other Info:	XLD Rip; FLAC, CUE, LOG; Covers; 3 + 1 CD

Gounod: Roméo & Juliette - Gheorghiu, Alagna, Plasson (3 CD)

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 Classical | EMI | Catalog Number: 6 40700 2 | 2010

& 8220;

Assuming for a moment (as perhaps one should not) that the reader does not have to be persuaded that the work itself deserves a place in the collection, then the question is simply: is this new recording better than its two nearest rivals, and if so is the superiority such as will merit the additional expenditure that is (presumably) involved in the purchase of three discs rather than two. The most recent alternative version is the one under Leonard Slatkin, with Ruth Ann Swenson and Placid° Domingo as the lovers, appreciatively reviewed by AB, as indeed was its predecessor, with Catherine Malfitano and Alfredo Kraus and conducted by Michel Masson who is also in charge of the new version. Certainly if the opera's brief Prologue is representative, this present set is the best of the three. Compared with his earlier self, Plasson is more assuredly his own man, taking a broader view of the turbulent, dramatic opening, and especially of the fugato which introduces its second section. This now has the unhurried, confident thrust of an expert duellist, and in place of a rather generalized picture, a much more specific and vivid one forms in the mind. The contrast is stronger with Slatkin, who urges forward, piles on the brass, and achieves an arresting but altogether cruder effect. Then comes the chorus's introductory narration which the Munich choir under Slatkin sing like oratorio. Plasson's 1983 recording from Toulouse puts greater emphasis on story-telling, but that too is not nearly so imaginative as the quieter, more intimate style he favours now, the chorus having more light-and-shade, better rhythmic pointing, more 'face'.

At curtain-up for Capulet's ball, Plasson now leads a subtly textured waltz where Slatkin's is a thick-soled, heavy-downbeat sort of thing. and when his chorus, supposedly seeing Juliette, exclaim "All! qu'elle est belle", they are really seeing little more than their copies. Plasson's people catch the vision with their subdued exclamation of wonder. In all of this, and so on throughout the performance, the new version marks a sure improvement, almost a breakthrough.

But Romeo et Juliette means Romeo and Juliet, and here the preference may be slightly less clear-cut. Catherine Malfitano, Plasson's earlier Juliette, had a fresh, girlish quality which, rather doll-like at first, gains tenderness and sensitivity. Swenson, for Slatkin, makes less of the character and sings the famous Waltz song without pace or gaiety, or dreaminess either. Gheorghiu, here, immediately makes her listeners echo the chorus's "Alll qu'elle est belle", for the sound matches the imagined sight. Its beauty is more mature than Malfitano's, and to that extent perhaps less appropriate, but as the part develops towards tragedy so her warmer, richer tone is better able to embody the depth of feeling, and she brings a fine conviction to the despairing scene with Friar Laurence and then to the scene of the potion.

Alagna's Romeo has, of course, youth on his side if he is similarly to have the rivals brought up for comparison. Domingo performs magnificently in what now seems an unlikely role, while Kraus. a 56-year-old Romeo at the time of the recording, is still clear-toned and has no problems on high. Alagna does not sound too happy with the B flats of "Ah, leve-toi, soleil", and sometimes the voice appears to have added weight in a way that makes him less suited to the nart than he was when we first admired him at Covent Garden. Yet there are many, many things to enjoy as one listens, and still more as one compares.

Actually, Romeo and Juliet are not all: the opera abounds in rewarding secondary roles. In one of these, that of Stephano the page, the new recording loses to Slatkin. Marie-Ange Todorovitch has some sense of style but not the voice for this, and especially not when compared with the delightful Susan Graham. The Friar is still Jose van Dam ('still' because he sang it with Plasson nearly 15 years ago), and is gravely firm and fine as ever. The Capulet, Alain Fondary, is a bluff father-figure not unlike his predecessor, Bacquier. As Mercutio, Simon Keenlyside is excellent, though I think not better than Gino Wilco, outstanding in the 1983 set. The others even out reasonably well, but it is not these on whom the choice depends.

On the merits of the cast, and perhaps still more on those of the choral singing, orchestral playing and recorded sound, I would certainly recommend the new version above its rivals. But there remains the question of that third disc. Essentially it is there to accommodate the ballet music. This is pleasant, tuneful and well-orchestrated, but the opera is better off without it. As a statutory requirement of the Paris Opera, it was placed between the night of Juliet's agony and her awakening for the proposed marriage to Count Paris, destroying the dramatic tension at a crucial moment. I would not buy the recording for that; I would for almost everything else. To those who may be still unconvinced that the opera itself is worth attention, may I just add my own experience, which is that it endears itself steadily (almost stealthily) over the years.

Gramophone Magazine

& 8221;

Opera in 5 acts based on a libretto by Jules Barbier & Michel Carré

Cast:

Roméo: Roberto Alagna

Juliette: Angela Gheorghiu

Friar Laurence: José van Dam

Stephano: Marie-Ange Todorovitch

Mercutio: Simon Keenlyside

Capulet: Alain Fondary

Gertrude: Claire Larcher

.....

Choeur et Orchestre National du Capitole de Toulouse

Michel Plasson

Tech specs

3xCD + Bonus CD

Recorded in October 1995, Halle aux Grains, Toulouse

Editor: EMI (6 40700 2)

Recording date: 1995

XLD Rip, Flac + Cue + log

Scans: Back & Front Covers, Booklet (HiRes)

Approximative size: 700 MB

Approximative time 3h00

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Rating:
2.5 out of 5 by Book123

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	Lyrics & Music Bizet - Carmen Gheorghiu · Alagna · Capitole de Toulouse · Plasson Bizet - Carmen Gheorghiu · Alagna · Capitole de Toulouse · PlassonClassical \| Eac, Ape+cue, log \| covers+booklet \| 3 % Recovery \| 3 Cds, 212+196+233 Mb10 janvier 2003 \| EMI Classics \| RapidShare# Interprète: Angela Gheorghiu, Roberto A ...
	Lyrics & Music Gardiner Berlioz - Romeo Juliette Gardiner Berlioz - Romeo JulietteGenre: Classical \| Format: APE & CUe \| 2 CD, Covers \| Size: 250+282 Mb \| Rs.comDate: April 14, 1998Composed by Hector Berlioz Performed by Orchestre Revolutionnaire et Romantique with Gilles Cachemaille ...
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