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Digital Tutors - Advanced Compositing Workflows with Maya and After Effects

Posted on 2010-04-14




Name:Digital Tutors - Advanced Compositing Workflows with Maya and After Effects
File size:1351.68 Mb
Language: English
File Type: MP3 64 Kbps
File Size: 1.32 GB
Other Info: WMV3 792x656
   Digital Tutors - Advanced Compositing Workflows with Maya and After Effects

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Digital Tutors Advanced Compositing Workflows with Maya and After Effects

Genre: eLearning

In this series of lessons, we will be taking you through the process of rendering your Maya scene into multiple passes, and using some advanced techniques for compositing these passes using Toxik.

We will dedicate the first portion of this course to using Render Passes in Maya to separate various elements of our scene at render time. We ll use mental ray s render passes, contribution maps, custom framebuffers, and render layers to create the necessary render passes for our scene. In the second portion of this course we will begin with some quick compositing similar to our Compositing 3D Renders in After Effects course, but we will quickly get into more advanced topics such as basic and advanced Depth of Field, Proxies, spot paint fixing and chromatic aberration.

Lesson Outline

1. Introduction and Project Overview

2. Preparing Maya scene for multi pass rendering

3. Creating Contribution Maps for multi pass rendering

4. Setting up render passes in mental ray

5. Using Custom Color Buffers to render specialized passes

6. Creating new Render Layers and using Layer Overrides

7. Importing our render passes and creating Proxies

8. Using Blending Modes to composite our ant

9. Color Correcting various passes with effects and masks

10. Creating a Lightwrap to tie the Foreground to the Background

11. Tweaking our Matte to Remove a Black Outline

12. Painting our Matte image to fix issues with the feet

13. Setting up a Basic Depth of Field effect using the Depth pass and Color Correct

14. Adding to our Depth of Field with another Blur Effect

15. Adding Depth of Field to the background

16. Fixing haloing by extending the Depth with a basic Minimax

17. Advanced Minimax Layering to correctly extend the Depth

18. Using an Expression to simplify the Minimax layering

19. Fixing the depth matte and the ant matte to remove DOF errors

20. Adding Chromatic Aberration to our image

21. Adding and Tweaking Grain for that final level of detail

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