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Lectures on Numerical Methods in Bifurcation Problems
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
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A National Acoustics
Posted on 2010-07-04
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More Brian Currid, ": Music and Mass Publicity in Weimar and Nazi Germany" A sound track of Germany in the early twentieth century might conjure military music and the voice of Adolf Hitler rising above a cheering crowd. In , Brian Currid challenges this reductive characterizatio n by investigating the transformations of music in mass culture from the Weimar Republic to the end of the Nazi regime.A Offering a nuanced analysis of how publicity was constructed through radio programming, print media, popular song, and film, Currid examines how German citizens developed an emotional investment in the nation and other forms of collectivity that were tied to the sonic experience. Reading in detail popular genres of music the Schlager (or hit), so-called gypsy music, and jazz he offers a complex view of how they played a part in the creation of German culture. contributes to a new understanding of what constitutes the public sphere. In doing so, it illustrates the contradictions between Germany social and cultural histories and how the technologies of recording not only were vital to the emergence of a national imaginary but also exposed the fault lines in the contested terrain of mass communication. Brian Currid is an independent scholar who lives in Berlin.
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