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Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
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Women Directors and Their Films
Posted on 2010-04-14
|
Author: Mary G. Hurd
Publisher: Praeger Publishers (2006) Binding: Hardcover, 192 pages pricer: $44.95 ISBN-10: 0275985784 editorialreviews Although women may have found greater film success in the areas of screenwriting, editing, design, and producing, there have been many women whose contributions as directors have been quite significant. In this guide to their careers and films, author Mary Hurd profiles the most noteworthy--from Barbara Kopple and her classic work in the documentary form, to Nora Ephron's insightful retellings of Hollywood's classic stories, to Sophia Coppola's current success in Hollywood. fills an important gap in the literature on the subject, offering a combination of biographical material and film analysis that effectively summarizes and encapsulates the life's work of these very different, very talented women. The selection includes women of the studio age (Ida Lupino, Dorothy Arzner), contemporary mainstream directors (Amy Heckerling, Nora Ephron), independents (Mary Harron, Nancy Savoca), documentarians (Barbara Kopple), experimental filmmakers (Maya Deren), and an assortment of acclaimed international filmmakers (Jane Campion, Agnes Varda). Profiles of the directors contain both biographical and critical segments. The first, biographical section provides a basic outline of the subject's life and career; the second offers a discussion of the director's films, featuring comments on the narrative, themes, visual techniques and style, and possible critical approaches to the work. Each chapter also includes a complete filmography and brief bibliography. failed
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