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Cultures & Languages William Shakespeare, "The Tempest" (The Arden Shakespeare), 3rd Edition
Posted on 2010-03-16
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More William Shakespeare, "The Tempest" (The Arden Shakespeare), 3rd Edition Edited by Virginia Mason Vaughan & Alden T. Vaughan The Tempest has long dazzled readers and audiences with its intricate blend of magic, music, humour, intrigue and tenderness, its vibrant but ambiguous central characters. As Virginia and Alden Vaughan show, in their wide-ranging new edition of this established favourite, such antithetical extremes exemplify the play’s endlessly arguable nature, its appeal to diverse eras and cultures. The Vaughans situate The Tempest at the centre of changing cultural attitudes towards colonialism, power politics and patriarchal hierarchies, and demonstrate how the play both shaped and reflected those changing attitudes. Informed by the concerns of a post-colonial international community, their edition emphasizes the play's world-wide cultural appropriation, and includes an extensive discussion of the play's after-life as well as an appendix of selected appropriations. The interdisciplinary editorial approach contributes a distinctively blended cultural and historical focus. ‘The Vaughans have provided a valuable new edition of the play, one whose expanded contextualisation, especially, will contribute to The Tempest’s lively and varied afterlife both within and beyond the classroom.’ From the Back Cover The Arden Shakespeare is the established scholarly edition of Shakespeare's plays. Now in its third series, Arden offers the best in contemporary scholarship. Each volume guides you to a deeper understanding and appreciation of Shakespeare's work. This edition of The Tempest provides:
About The Arden Shakespeare series Arden Shakespeare is the most academically rigorous Shakespeare series in print, and the best-known English literature brand worldwide. In 1995 the Third Series of The Arden Shakespeare was launched. Now published under the imprint Arden Shakespeare, under the General Editorship of Richard Proudfoot, Ann Thompson, David Scott Kastan and Henry Woudhuysen, the Arden Shakespeare Third Series is nearing completion. Each new volume supersedes the corresponding Second Series text, being meticulously edited from the original sources by a contemporary scholar. Contents & 8220;List of Illustrations General Editors' Preface The Text Commentary and Textual Notes Introduction Preface Introduction The play Genesis and early performances Genre Structure Music Language Characters The context Domestic politics Brave new world Africa and Ireland Literary forerunners Classical models The 'salvage man' Magic Masque The afterlife Restoration rewritings Eighteenth-century ambivalence Romanticism Perspectives on imperialism Re-enter Miranda Freudian influences 'The Tempest' on stage and film since 1900 The text Ralph Crane's manuscript Editorial practice Cruxes The Tempest Appendix 1: Sources 1. Strachey, 'True Reportory' 2. Montaigne, 'Of the Caniballes' Appendix 2: Appropriations 1. Browning, 'Caliban upon Setebos' 2. Rodó, Ariel 3. Mannoni, Prospero and Caliban Abbreviations and references Index& 8221; Tags: Shakespeare, Drama, Literature, LiteraryCriticism No non-free mirrors allowed See Also: William Shakespeare, "As You Like It" (The Arden Shakespeare), 3rd Edition Michael Dobson & Stanley Wells (eds), "The Oxford Companion To Shakespeare" John Sutherland & Cedric Watts, "Henry V, War Criminal? and Other Shakespeare Puzzles (World's Classics)" Scott McMillin, ed., "Restoration and Eighteenth-Century Comedy" (Norton Critical Editions), 2nd Edition Marc Norman & Tom Stoppard, "Shakespeare in Love: A Screenplay" Jane Austen, "Emma" (Norton Critical Editions), 3rd Edition Jane Austen, "Mansfield Park" (Norton Critical Editions) Jane Austen, "Pride and Prejudice" (Norton Critical Editions), 3rd Edition Charlotte Bronte, "Jane Eyre" (Norton Critical Editions), 3rd Edition Emily Bronte, "Wuthering Heights" (Norton Critical Editions), 4th Edition George Eliot, "Middlemarch" (Norton Critical Editions), 2nd Edition Maria Tatar, "The Classic Fairy Tales (Norton Critical Edition)" John Rignall (ed), "Oxford Reader's Companion to George Eliot" R. C. Terry, "Oxford Reader's Companion to Trollope"
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