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William HAYES - The Passions - An Ode for Music (Oxford, 1750) - Anthony Rooley

Release Date: 24 May 2010 | Recorded in the Volkshaus Basel (Switzerland) in October 2008

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During the course of the Age of Enlightenment a rather special, indeed unique, occasion took place (on July 6, 1750, to be exact) with the first performance – in Oxford as part of a University celebration there – of a composition by William Hayes to a well-known humanist text: The Passions, An Ode for Music (written in 1746 by William Collins). In those days the detailed study of human passions and feelings was an omnipresent theme in the worlds of science and art. With such a backdrop, the poetry of Collins and the music of Hayes join together to create a captivating work which manifests a deep understanding of human nature, is packed tight with philosophical references and which enjoys a subtly sharp dry sense of humour, known beyond the Isles’ shores as British... The result is a ‘dramatic oratorio’ of the greatest musical quality, which combines the language of the late Baroque with elements of the style galante and which even allows one a glimpse of the arrival of Classicism. In a series of consistently original and surprising mini-scenes, ten ‘passions’ become involved in theatrical disputes (among them Fear, Revenge, Melancholy, Hope and Cheerfulness). Anthony Rooley is responsible for the rediscovery of this significant work and here leads a performance with soloists and ensembles closely linked with the Schola Cantorum Basiliensis, in the first release of a new collection directed by Glossa and the Swiss establishment, the leading educational and research centre in the field of early music.

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Performers:

Chor der Schola Cantorum Basiliensis

La Cetra Barockorchester Basel

Anthony Rooley

Evelyn Tubb, soprano

Ulrike Hofbauer, soprano

Sumihito Uesugi, countertenor

David Munderloh, tenor

Lisandro Abadie, bass

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	Arts & Design Beauty and Art: 1750-2000 (Oxford History of Art) Elizabeth Prettejohn, "Beauty and Art: 1750-2000 (Oxford History of Art)"Oxford University Press, USA (June 10, 2005) \| ISBN: 0192801600 \| 224 pages \| PDF \| 16,7 MbWhat do we mean when we call a work of art `beautiful`? How have artists r ...
	Science/Engineering Music as Discourse: Semiotic Adventures in Romantic Music (Oxford Studies in Music Theory) Kofi Agawu, "Music as Discourse: Semiotic Adventures in Romantic Music (Oxford Studies in Music Theory)"Oxford University Press, USA \| 2008-12-02 \| ISBN: 0195370244 \| 352 pages \| PDF \| 6,3 MBThe question of whether music has meaning has bee ...
	History/Military Carol Hess - Sacred Passions: The Life and Music of Manual de Falla Carol Hess - Sacred Passions: The Life and Music of Manual de FallaPublisher: Oxford University Press, USA \| 2008-10-30 \| ISBN: 0195383583 \| PDF \| 368 pages \| 2.78 MBThe work of composer Manuel de Falla (1876-1946) ranges from late-romantic ...
	History/Military The Passions of Christ in High-Medieval Thought: An Essay on Christological Development (Oxford Studies in Historical Theology) Kevin Madigan, "The Passions of Christ in High-Medieval Thought: An Essay on Christological Development (Oxford Studies in Historical Theology)"Publisher: Oxford University Press, USA \| PDF \| 2007 \| ISBN 0195322746 \| 158 pages \| 11.7 MbSinc ...
	William Crockett, Stanley N. Gundry, John F. Walvoord, Zachary J. Hayes, Clark H. Pinnock - Four Views on Hell William Crockett, Stanley N. Gundry, John F. Walvoord, Zachary J. Hayes, Clark H. Pinnock - Four Views on HellPublisher: Zondervan \| 1997-01-06 \| ISBN: 0310212685 \| PDF \| 192 pages \| 11.03 MBMost contemporary Christians, while giving lip se ...
	Technical Time and Work in England 1750-1830 (Oxford Historical Monographs) ISBN: 0199241945 Publisher: Oxford University Press, USA Author: Hans-Joachim VothDescription:Did working hours in England increase as a result of the Industrial Revolution? In this important study, Hans-Joachim Voth addresses this question ...

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