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History/Military Троя и троянцы. Боги и герои города-призрака
History/Military The Collapse Of The Democratic Presidential Majority: Realignment, Dealignment, And Electoral Change From Franklin Roosevelt To Bill Clinton (Transforming American Politics)
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History/Military The Douglas A-20 (7A to Boston III) (Profile Publications Number 202)
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History/Military Globalization of Capital and the Nation-State: Imperialism, Class Struggle, and the State in the Age of Global Capitalism
History/Military Performances of the Sacred in Late Medieval and Early Modern England (Repost)
History/Military Demography and Roman Society (Ancient Society and History)
History/Military Reducing Poverty Through Growth And Social Policy Reform in Russia (Directions in Development)
History/Military Screening Politics; The Politician in American Movies, 1931-2001
History/Military Between Self-Determination and Dependency: Jamaica's Foreign Relations 1972-1989
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History/Military Anglo-Norman Studies 24: Proceedings of the Battle Conference 2001

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History/Military William Guynn: Writing History in Film

Posted on 2010-03-15




Name:History/Military William Guynn: Writing History in Film
ASIN/ISBN:0415979242
Language:English
File size:2.84 Mb
Publish Date: 2006-06-27
ISBN: 0415979242
File Type: PDF
Pages: Pages 256
File Size: 2.84 MB
Other Info: Routledge
   History/Military William Guynn: Writing History in Film

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Writing History in Film

Historical film has been an important genre the earliest silents. Lincoln, Jesus, the French Revolution, World War II - all have been repeatedly "represented" in film. But how does film represent the past, and specifically the part of the past we call "history"?

Writing History in Film lays out the key issues facing the student and film scholar: what is historical narrative? What is factual narrative? How can film represent a historical character? What is the relation of film to memory?

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