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The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
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Werewolf Of London (1935)
Posted on 2010-10-15
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More Directed by Stuart Walker Genre: Horror / Mystery / Thriller Though not the grand spectacle of horror that the later Wolf Man would be, The Werewolf of London still stands out as a fine effort from Universal. Then again, what 1930s Universal chiller doesn't qualify as a classic? World-renowned botanist Dr. Wilfred Glendon (Henry Hull) has a bit of a problem. While searching for a rare plant in the Tibetan mountains he gets bitten by a werewolf. Back in London, the mysterious Dr. Yogami (Warner Oland) warns Glendon in a roundabout way that at the first beams of the full moon, he will turn to a werewolf, and kill the thing he loves most, in this case Glendon's wife Lisa (Valerie Hobson, Bride of Frankenstein). The only antidote known for this particular brand of lycanthropy are the flowers from a rare plant found in the Tibetan mountains, a sample of which Glendon brought back from his journey. However, when the full moon strikes, the plant's flowers go missing, and he begins a nightmarish cycle of wolfishness. The Werewolf of London has the usual solid Universal production values behind it, making it at least a good B-movie. The acting is excellent, with Hull (who sounds like Claude Rains at some points) and Oland leading a strong cast. No single performance is weak; additionally, the transformation effects by John P. Fulton are excellent, and in some ways better than the ones in later lycanthrope pictures.
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