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Lyrics & Music Triumph - Surveillance (1987)

Posted on 2010-08-03




Name:Lyrics & Music Triumph - Surveillance (1987)
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Triumph - Surveillance (1987)

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& 8220;Wikipedia:

Triumph is a Canadian heavy metal band that was popular in the late 1970s through the 1980s. Eight of the band's albums were certified gold or higher, and Triumph was nominated for multiple Juno Awards, including Group of the Year Award in 1979, 1985, 1986 and 1987.

Like their fellow Canadians Rush and Saga, Triumph began building their reputation across North America as a live band, peaking in the early to mid 1980s. The band was formed by Toronto music veterans Gil Moore (drums, vocals) and Mike Levine (bass, keyboards, producer), after meeting guitarist, singer, songwriter Rik Emmett in a manager's office in Toronto in 1975.

Triumph were a Canadian power trio, often compared to fellow Canadians Rush. The band's musical style was hard rock and heavy metal although the band themselves were reluctant to embrace this label. Moore once described Triumph as a cross between Emerson, Lake & Palmer and The Who. Guitarist Emmett's songwriting style showed a progressive rock influence, as well as displaying his classical music influence; each Triumph album included a classical guitar solo piece. Moore also doubled as lead vocalist on many of the band's heavier songs. Bassist, keyboardist Levine was also producer on their early albums.

Triumph's style proved unpopular with rock critics. Rolling Stone reviewers labeled them "mutant hoseheads" and "yet another faceless band."

Triumph's first record deal was signed with Attic Records in Canada. They later signed with RCA Records in the US covering all areas except Canada. After the RCA deal ended in acrimony, MCA Records picked up the band and re-released all their music to date in 1984. After the shift to MCA, the band began to work with outside producers, and their studio albums became increasingly difficult to replicate onstage. Rather than following the sequencer-laden path taken by Rush to remain a true power trio, Triumph later added Rick Santers, a Toronto guitarist, keyboardist, to support their last three tours.

Triumph's first album (originally self-titled but later renamed In the Beginning) was extremely rare outside Canada, but their widely released second LP, Rock & Roll Machine, received some scattered airplay with Gil Moore's cover of Joe Walsh's "Rocky Mountain Way". Incidentally, Rik Emmett's name was originally spelled Rick, but he changed it after it was misspelled on their first album as Rik. In mid 1978 Triumph first played in San Antonio, Texas for five dates and then toured across Canada with fellow Canadian rockers Moxy and Trooper; San Antonio remained a popular venue for the trio.

Triumph's third album, ‎Just a Game, featured a minor US radio hit, "Hold On", which reached the Top 40. Their 1979 album eventually went gold in the US, their first glimmer of stardom.

In 1987, the band attempted a return to form with Surveillance. While Gil Moore and Mike Levine remained firmly planted in blues-rock, Rik Emmett took more of a modern progressive turn, even involving Dixie Dregs and Kansas guitarist Steve Morse. They collaborated on a dual-guitar solo for Gil Moore's angst-ridden "Headed for Nowhere." But the album's lead single, "Long Time Gone," vanished without a trace on most US radio with the possible exception of Texas (historically their strongest American market) where "On and On" ended up being the most frequently spun track. The ballad "Let the Light (Shine on Me)" only charted in Canada. The 1988 tour concluded amid growing disharmony over writing credits and artistic direction; however, their final concert on September 3, 1988 was a refreshing, clutter-free, spirited show on the Kingswood stage at Canada's Wonderland, just north of Toronto. In late 1988, Rik Emmett made a total break with Triumph, a costly move resulting from a long-standing agreement that if any one of the trio left, they would leave with only one ninth interest. He subsequently began a modest but distinguished solo career, with his first album, Absolutely, yielding four hits in Canada. Meanwhile, Triumph released 1989s Classics as their obligatory fifth album owed to MCA Records.

On January 18, 2008, it has been announced that Triumph has united to play in the Sweden Rock Festival in June, 2008, and following on from the announcement, it has been reported that the band may play a few dates in July 2008, then will be gearing up for a full scale world tour in 2009.

On April 6, 2008, Triumph was inducted into the Canadian Music Hall of Fame as part of the Juno Awards.
& 8221;


Additional information is available Buy It at Lowest Price on Amazon

, and .

Tracklisting:

1. Prologue: Into The Forever

2. Never Say Never

3. Headed For Nowhere

4. All The King's Horses

5. Carry On The Flame

6. Let The Light (Shine On Me)

7. Long Time Gone

8. Rock You Down

9. Prelude: The Waking Dream

10. On And On

11. All Over Again

12. Running In The Night

Additional infos for this album are located , , , , and - reviews of several album actually.

& 8220;metaldreams.net:

Surveillance was a return to form for this Canadian trio. The band's previous outing, The Sport Of Kings, spotlighted a noticeable shift toward the pop side of things, and I don't think the Triumph diehards were incredibly pleased. When you consider the heavier guitar edge of Allied Forces, Never Surrender, and Thunder Seven, the slick approach of The Sport Of Kings made it seem like record company pressures were altering this talented unit. While Sport yielded a successful single in "Somebody's Out There," the over-produced style didn't really suit the band.

Surveillance had many more guitar driven moments, and this was probably a response to the light quality of The Sport Of Kings. For instance, Rik tears up the fretboard on "Headed For Nowhere," and the single/video for "Never Say Never" showed that Triumph was ready to rock again. The record still concentrated on softer moments too though, so the band didn't go full tilt hard rock. Rik Emmett's classical/acoustic/ballad moment came in the form of "All The Kings Horses" and Gil Moore's "All Over Again" is reminiscent of the soft "Just One Night" (from The Sport Of Kings). The pop rock of Rik's "Let The Light (Shine On Me)" and "On and One" and Gil's "Running In The Night" were slick and commercial, but the songs were quality melodic rock. The only poor song on here was the goofy "Rock You Down," which had the worst lyrics of any Triumph song. Plus, Gil sounds like he's pounding boxes instead of drums.

The Bloody Truth: Surveillance is a mix of anthems, commercial songs, and ballads - a recipe that ran through earlier albums. The softer songs seem slicker than earlier ballads though, and fans will probably notice that fact. Overall, Surveillance is a good album, but it just didn't concentrate enough on the hard rock side. Nevertheless, it didn't get the attention that it deserved, probably due to the image conscious period of the time and the fact that it was the follow-up to The Sport Of Kings. Fans didn't really know what they would get on this one so they may have been a bit leery.
& 8221;


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