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Lyrics & Music The Who - Who's Next (1971) [2008 Japanese 2xSHM-CD exclusive limited 'Deluxe Edition']

Posted on 2010-08-03




Name:Lyrics & Music The Who - Who's Next (1971) [2008 Japanese 2xSHM-CD exclusive limited 'Deluxe Edition']
ASIN/ISBN:0753509482
File size:506 Mb
File Size: Covers -> 517 MB
Other Info: WV+CUE+LOG -> 558 + 506 MB; 154:22 min
   Lyrics & Music The Who - Who's Next (1971) [2008 Japanese 2xSHM-CD exclusive limited 'Deluxe Edition']

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The Who - Who's Next (1971) [2x SHM-CD]

Japanese Limited Deluxe Reissue '2008 / UICY-93750~1

Who's Next is the fifth album by the English rock band The Who. The album has origins in a rock opera conceived by Pete Townshend called "Lifehouse". The ambitious, complex project did not come to fruition at the time and instead, many of the songs written for the project were compiled onto Who's Next as a collection of unrelated songs. Who's Next was a critical and commercial success when it was released, and has been certified 3x platinum by the RIAA.

The album has its roots in the "Lifehouse" project, which Who leader Pete Townshend has variously described as intended to be a futuristic rock opera, a live-recorded concept album and as the music for a scripted film project. The project proved to be intractable on several levels and caused stress within the band as well as a major falling out between Townshend and The Who's producer Kit Lambert. Years later, in the liner notes to the remastered Who's Next CD, Townshend wrote that the failure of the project led him to the verge of a suicidal nervous breakdown.

& 8220;The success of Who's Next and its slate of classic-rock tracks has often obscured its true roots - Lifehouse, the unwieldy multi-media project that Pete Townshend originally concocted as the follow-up to Tommy. Variously informed by apocalyptic visions, sci-fi notions of interconnectivity that neatly presaged the internet and, of course, an unwavering conviction that rock & roll would save the world, the core tracks of the sprawling Lifehouse were recorded, cut, re-recorded and finally boiled down into a collection that seems to represent as much alienation ("Behind Blue Eyes") and overweening cynicism ("Won't Get Fooled Again") as it does liberation and unity. Aside from Townshend's own self-released, multi-disc meditation on the project, this expanded new edition is the most rewarding attempt to place Lifehouse and the over-exposed classic it spawned in their proper context. Six tracks from the album's original, but abandoned New York sessions flesh out the familiar material, with previously unreleased outtakes of "Getting in Tune" and a revealing, early arrangement of "Won't Get Fooled Again" warranting special note. The second disc documents one of Lifehouse's most quixotic elements with the first-time release of one of the series of concerts staged at London's Young Vic theater during the project's gestation, events during which band and audience would somehow mystically become One. Core tracks from the project are interspersed with typical hard-rocking Who fare of the time, resulting in a show whose focus and dynamics belied something very different from the arena-rock clichés that would eventually overwhelm them.

~ Jerry McCulley, amazon.com

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