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Cultures & Languages The Visible World: Samuel van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden Age
Posted on 2010-03-16
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More The Visible World: Samuel van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden Age (Amsterdam Studies in the Dutch Golden Age) By Thijs Weststeijn Drawing on discussions in Rembrandt's studio, the author provides an ambitious overview of seventeenth-century Dutch artists' views on art. How did painters and their public speak about art in Rembrandt's age? This book about the writings of the painter-poet Samuel van Hoogstraten, one of Rembrandt's pupils, examines a wide variety of themes from painting practice and theory from the Dutch Golden Age. It addresses the contested issue of 'Dutch realism' and its hidden symbolism, as well as Rembrandt's concern with representing emotions in order to involve the spectator. Various aspects of imitation and illusion come to the fore, such as the theory behind sketchy or 'rough' brushwork and the active role played by the viewer's imagination. About the Author Thijs Weststeijn is lecturer in art history at the University of Amsterdam.
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