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Novel The Silverado Squatters by Robert Louis Stevenson
Novel The Sorrows of Satan by Marie Corelli
Novel Major Barbara by George Bernard Shaw
Novel Conspire by Victoria Rollison
Novel The Silver Spoon by John Galsworthy
Novel The Mutineer: A Romance of Pitcairn Island
Novel The Great Quest by Charles Boardman Hawes
Blue Collar, Theoretically - A Post-Marxist Approach to Working Class Literature
The Aesthetics and Politics of the Crowd in American Literature by Mary Esteve (Repost)
Novel To Sleep Gently
Novel Grow Up
Novel Approaches and Their Applications in Risk Assessment
Novel "Crime and Punishment" by Fyodor Dostoyevsky
Vegan Diner: Classic Comfort Food for the Body and Soul by Julie Hasson
Ultra Wideband Communications - Novel Trends - Antennas and Propagation
Novel The Borough Treasurer by J.S. Fletcher
Literature and Religion in Mid-Victorian England: From Dickens to Eliot [Repost]
Novel Sick Heart River by John Buchan
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Novel The Point Is To Change It: Poetry and Criticism in the Continuing Present (Modern & Contemporary Poetics)
Posted on 2010-04-14
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More Jerome McGann, "The Point Is To Change It: Poetry and Criticism in the Continuing Present (Modern & Contemporary Poetics)" In this book, Jerome McGann argues that contemporary language-oriented writing implies a marked change in the way we think about our poetic tradition on one hand and in the future of criticism on the other. He focuses on Walter Benjamin and Gertrude Stein as important intellectual resources because both see the history of poetry as a crisis of the present rather than as a legacy of the past. The crisis appears as a poetic deficit in contemporary culture, where values of politics and morality are judged prima facie more important than aesthetic values. McGann argues for the fundamental relevance of the aesthetic dimension and the contemporary relevance of cultural works of the past. McGann moves through several broad categories in his examination of contemporary poetry, including the ways in which poetry must be abstract, change, and give pleasure. The author draws on sources ranging from the poetry of Bruce Andrews and Robert Duncan to Looney Tunes cartoons. The experimental move in contemporary poetry, McGann contends, is an emergency signal for readers and critics as much as it is for writers and poets, a signal that calls us to rethink the aesthetics of criticism. The interpretation of literary works has been dominated by enlightenment models - the expository essay and monograph - for almost two hundred years. With the emergence of new media, especially digital culture, the limitations of those models have grown increasingly apparent. "The Point Is To Change It" explores alternative critical methods and provides a powerful call to reinvent our modes of investigation in order to escape the limitations of our inherited academic models. The goal of this process is to widen existing cracks or create new ones because, as McGann points out via the lyrics of Leonard Cohen, "That's how the light gets in." Enjoy this great book! Brought to you by SMIRK
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