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Literature and Religion in Mid-Victorian England: From Dickens to Eliot [Repost]
Derek Walcott (Cambridge Studies in African and Caribbean Literature) by Edward Baugh (Repost)
Chinese Literature
Colonies, Cults and Evolution - Literature, Science and Culture in Nineteenth-Century Writing
Audiobooks, Literature, and Sound Studies
A Companion to Alexander Literature in the Middle Ages [Repost]
Traditional Japanese Literature: An Anthology, Beginnings to 1600
Colonies, Cults and Evolution: Literature, Science and Culture in Nineteenth-Century Writing (repost)
Postmodern Belief: American Literature and Religion since 1960
The Cambridge History of French Literature (Repost)
A Concise History of Chinese Literature
A Concise History of Chinese Literature
Badiou and Deleuze Read Literature
A Concise History of Chinese Literature
A Companion to Comparative Literature
Mindreadings: Literature and Psychiatry by Femi Oyebode (Repost)
The Lost Art of Walking: The History, Science, and Literature of Pedestrianism
Reforming the Humanities: Literature and Ethics from Dante through Modern Times
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The Poetics of Conversion in Early Modern English Literature: Verse and Change from Donne to Dryden
Posted on 2011-04-02
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More Molly Murray, "" Christians in post-Reformation England inhabited a culture of conversion. Required to choose among rival forms of worship, many would cross - and often recross - the boundary between Protestantism and Catholicism. This study considers the poetry written by such converts, from the reign of Elizabeth I to that of James II, concentrating on four figures: John Donne, William Alabaster, Richard Crashaw, and John Dryden. Murray offers a context for each poet's conversion within the era's polemical and controversial literature. She also elaborates on the formal features of the poems themselves, demonstrating how the language of poetry could express both spiritual and ecclesiastical change with particular vividness and power. Proposing conversion as a catalyst for some of the most innovative devotional poetry of the period, both canonical and uncanonical, this study will be of interest to all specialists in early modern English literature. PLEASE INFORM ME IF LINKS ARE DEAD
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