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Pixies - Surfer Rosa / Doolittle / Bossanova (1988/89/90)

Alternative Rock / Indie | TT - 112:04 minutes | Label: 4AD / Cat. see below

The Pixies are an American alternative rock band that formed in Boston in 1986. The group disbanded in 1993. The band's style of alternative rock music is heavily influenced by punk and indie rock, and while highly melodic, is capable of being abrasive at the same time. While the Pixies found only modest success in their home country, they were significantly more successful in the United Kingdom and elsewhere in Europe, although never achieving mainstream success with their studio albums.

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Combining jagged, roaring guitars and stop-start dynamics with melodic pop hooks, intertwining male-female harmonies and evocative, cryptic lyrics, the Pixies were one of the most influential American alternative rock bands of the late '80s. The Pixies weren't accomplished musicians -- Black Francis wailed and bashed out chords while Joey Santiago's lead guitar squealed out spirals of noise. But the bandmembers were inventive, rabid rock fans who turned conventions inside out, melding punk and indie guitar rock, classic pop, surf rock, and stadium-sized riffs with singer/guitarist Black Francis' bizarre, fragmented lyrics about space, religion, sex, mutilation, and pop culture; while the meaning of his lyrics may have been impenetrable, the music was direct and forceful.

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Отчёт EAC об извлечении, выполненном 7. февраля 2009, 11:53 для диска:

Pixies / Surfer Rosa

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Pixies - Doolittle (1989)

EAC-FLAC Image with CUE, LOG & Scans - 261 MB | MP3 CBR 320 Kbps - 88 MB

Alternative Rock / Indie | 38:46 minutes | Label: 4AD / Cat. CAD 905 CD

Doolittle is the second studio album from the American alternative rock band Pixies, released in April 1989 on 4AD. The album's offbeat and dark subject material, featuring references to surrealism, Biblical violence, torture and death, contrasts with the clean production sound achieved by the then-newly-hired producer Gil Norton.

Doolittle has continued to sell consistently well in the years since its release, and in 1995 was certified gold by the Recording Industry Association of America. The album has been cited as inspirational by many alternative artists, while numerous music publications have ranked it as one of the most influential albums ever. A 2003 poll of NME writers ranked Doolittle as the second greatest album of the year.

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allmusic.com says: After 1988's brilliant but abrasive Surfer Rosa, the Pixies' sound couldn't get much more extreme. Their Elektra debut, Doolittle, reins in the noise in favor of pop songcraft and accessibility. Producer Gil Norton's sonic sheen adds some polish, but Black Francis' tighter songwriting focuses the group's attack. Doolittle's most ferocious moments, like "Dead," a visceral retelling of David and Bathsheba's affair -- are more stylized than the group's past outbursts. Meanwhile, their poppy side surfaces on the irresistible single "Here Comes Your Man" and the sweetly surreal love song "La La Love You." The Pixies' arty, noisy weirdness mix with just enough hooks to produce gleefully demented singles like "Debaser," -- inspired by Bunuel's classic surrealist short Un Chien Andalou -- and "Wave of Mutilation," their surfy ode to driving a car into the sea. Though Doolittle's sound is cleaner and smoother than the Pixies' earlier albums, there are still plenty of weird, abrasive vignettes: the blankly psychotic "There Goes My Gun," "Crackity Jones," a song about a crazy roommate Francis had in Puerto Rico, and the nihilistic finale "Gouge Away." Meanwhile, "Tame," and "I Bleed" continue the Pixies' penchant for cryptic kink. But the album doesn't just refine the Pixies' sound; they also expand their range on the brooding, wannabe spaghetti western theme "Silver" and the strangely theatrical "Mr. Grieves." "Hey" and "Monkey Gone to Heaven," on the other hand, stretch Francis' lyrical horizons: "Monkey"'s elliptical environmentalism and "Hey"'s twisted longing are the Pixies' versions of message songs and romantic ballads. Their most accessible album, Doolittle's wide-ranging moods and sounds make it one of their most eclectic and ambitious. A fun, freaky alternative to most other late-'80s college rock, it's easy to see why the album made the Pixies into underground rock stars.

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Tracks:

01. Debaser

02. Tame

03. Wave Of Mutilation

04. I Bleed

05. Here Comes Your Man

06. Dead

07. Monkey Gone To Heaven

08. Mr. Grieves

09. Crackity Jones

10. La La Love You

11. No. 13 Baby

12. There Goes My Gun

13. Hey

14. Silver

15. Gouge Away

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Отчёт EAC об извлечении, выполненном 7. февраля 2009, 11:43 для диска:

Pixies / Doolittle

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Pixies - Bossanova (1990)

EAC-FLAC Image with CUE, LOG & Scans - 286 MB | MP3 CBR 320 Kbps - 89 MB

Alternative Rock / Indie | 39:46 minutes | Label: 4AD / Cat. CAD 0010 CD

Bossanova is the third album by the American alternative rock band Pixies, released in August 1990 on the English independent record label 4AD in the United Kingdom and by Elektra Records in the United States. All of Bossanova's original material was written by the band's frontman Black Francis; it marked the point where his artistic control over the band became absolute. The album's sound, inspired by surf and space rock, complements its lyrical focus on outer space, which references subjects such as aliens and unidentified flying objects.

Because of 4AD's independent status, major label Elektra Records handled distribution in the United States; Bossanova reached number 70 on the Billboard 200. The album peaked at number three in the UK Albums Chart. Two singles were released from Bossanova, "Velouria" and "Dig for Fire"; both charted, at 4 and 11 respectively on the US Modern Rock Tracks chart.

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allmusic.com says: When Bossanova arrived in 1990, it reflected the exhaustion the Pixies felt after Doolittle's enormous success: For the first time, the band seems to be running out of ideas. Tellingly, Kim Deal contributes no songs, having formed the Breeders to give her work an outlet; that summer, their debut Pod won a warmer response than Bossanova received. Arguably the Pixies' weakest album -- though Francis has said it's his favorite -- most of it finds the band in fine form. Gil Norton's spacious, reverb-heavy production makes the Pixies sound like a Martian bar band, which fits the cover of the Surftones' "Cecilia Ann" and the glorious, shimmering closer "Havalina" perfectly. On the theremin-driven "Velouria," science fiction imagery displaces Francis' penchant for fetishistic lyrics; next to the token kinky song "Down to the Well"'s tired sound, it's a refreshing change. The similarly cryptic "All Over the World" and alien abduction tale "The Happening" add to the sci-fi feel. Quirky pop songs like "Allison," a tribute to jazz cool-cat Mose Allison, and "Dig for Fire," Francis' self-professed Talking Heads homage, heighten Bossanova's playful, slightly off-kilter vibe, but rockers like "Hang Wire" and "Blown Away," fall flat. However, "Rock Music" is one of the group's most fiery outbursts, and "Is She Weird"'s chugging grind and sexy, funny lyrics make it a classic Pixies song. The band was so consistently amazing on their previous albums that when they released a slightly weaker one, critics and fans alike judged them too harshly. But on Bossanova's strongest moments, the Pixies explored their softer side and found different uses for their extreme dynamics. Like a straight-A student who suddenly receives a B+, Bossanova might have been a disappointment initially, but its (small) failings emphasize the strengths of the rest of the Pixies' work.

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Tracks:

01. Cecilia Ann

02. Rock Music

03. Velouria

04. Allison

05. Is She Weird

06. Ana

07. All Over The World

08. Dig For Fire

09. Down To The Well

10. The Happening

11. Blown Away

12. Hang Wire

13. Stormy Weather

14. Havalina

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Отчёт EAC об извлечении, выполненном 26. сентября 2008, 11:39 для диска:

Pixies / Bossanova

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