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Lyrics & Music The Magic of Horowitz (2003)

Posted on 2010-08-03

Name:	Lyrics & Music The Magic of Horowitz (2003)
ASIN/ISBN:	0142415472
File size:	459 Mb
File Type:	Rar 5% recovery
File Size:	459 MB
Other Info:	EAC rip; Ape(image) - Cue - Logs; Cover; 2 CD

Lyrics & Music The Magic of Horowitz (2003)

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The Magic of Horowitz (2003)

Genre: Classical

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The recordings Vladimir Horowitz made for Deutsche Grammophon during the last four years of his life contain some of the legendary pianist's most singing and poetic performances. There are little of the mannered, unsettled qualities that figured in some of Horowitz's late 1970s/early 1980s RCA sessions. He may not have thundered as he did in his prime, yet the demonic side to Horowitz's art had yielded to a simpler, more lyrical style, together with a wider palette of colors, shadings, and nuances. "The Magic of Horowitz" offers a generous cross-section from the pianist's DG catalog, along with three previously unreleased selections. Avid Horowitz fans certainly will be curious about the latter.

Mozart's A minor Rondo K. 511 originally was intended for the 1989 "Horowitz at Home" Mozart and Schubert recital. According to producer Thomas Frost, Horowitz ultimately chose not to include it in order to avoid a preponderance of Mozart. I also suspect Horowitz may not have been completely satisfied with the performance. Granted, his fast tempos are preferable to the heavy deliberation he disparages in a snippet of studio banter. Still, Mozart's melodic elaborations and ornaments seem unduly rushed, with little time to breathe despite all the pianist's alluring half-pedalings and ravishingly controlled diminuendos. By contrast, Horowitz is completely at home, stylistically and pianistically speaking, with Liszt's Ehemals (No. 10 from the Weihnachtsbaum). His textual emendations give the music a sense of fullness and tactile immediacy not easily achieved via Liszt's sparser original. The third unreleased track, Schubert's F minor Moment Musical, stems from the pianist's final concert, and it moves quicker and more directly than its relatively garish counterpart on "Horowitz at Home".

The collection's remaining titles never have been out of the catalog since they first appeared, and they need little introduction at this late date. Highlights include the pianist's imaginatively wrought Schumann Kreisleriana, an inspired and feathery Schubert B-flat Impromptu, enchanting Rachmaninov Preludes and Scriabin Etudes, Chopin's A minor (Op. 17 No. 4) and C-sharp minor (Op. 30 No. 4) Mazurkas, and the most exquisite Schubert-Liszt Standchen in captivity. Horowitz's personal stamp informs every bar of Mozart's A major K. 488 concerto, with Carlo Maria Giulini conducting, from his brisk, Siciliano tempo in the slow movement to the inclusion of Busoni's rarely heard first-movement cadenza.

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Disc: 1

1. Soirees de Vienne, valse caprice for piano No. 6 (I; after Schubert D. 969 & 779) S. 427/6 (LW A131/6): Valse-Caprice No. 6

2. Schwanengesang (14), for piano (after Schubert), S. 560 (LW A49): Standchen (Serenade)

3. Valse oubliee, for piano No. 1, S. 215/1 (LW A311/1)

4. Mazurka for piano No. 13 in A minor, Op. 17/4, CT. 63

5. Etude for piano in D sharp minor, Op. 8/12

6. Etude for piano in C sharp minor, Op. 2/1

7. Impromptu for piano in B flat major, D. 935/3 (Op. posth. 142/3)

8. Marche Militaire for piano, 4 hands in D major, D. 733/1 (Op. 51/1)

9. Sonata for keyboard in E major, K. 135 (L. 224)

10. Work(s): Chorale Prelude 'Nun komm, der Heiden Heiland'

11. Prelude for piano No.16 in G major, Op. 32/5

12. Prelude for piano No.23 in G sharp minor, Op. 32/12

13. Annees de pelerinage, 2nd Year ('Italie'), suite for piano, S. 161 (LW A55): Sonata 104 del Petrarca

14. Mazurka for piano No. 21 in C sharp minor, Op. 30/4, CT. 71

15. Kinderszenen No. 7 ('Traumerei'), for piano, Op. 15/7

16. Polka W.R., for piano in A flat major, TN ii/18

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