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History/Military The Dada Cyborg: Visions of the New Human in Weimar Berlin

Posted on 2010-07-05




Name:History/Military The Dada Cyborg: Visions of the New Human in Weimar Berlin
ASIN/ISBN:0816636192
Publisher:Univ Of Minnesota Press 2009
Pages:400 Pages
File size:11 Mb
Publisher: Univ Of Minnesota Press 2009
Pages: 400 Pages
ISBN: 0816636192 , 0816636206
File Type: PDF
File Size: 11 MB
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The Dada Cyborg: Visions of the New Human in Weimar Berlin By Matthew Biro

In an era when technology, biology, and culture are becoming ever more closely connected, The Dada Cyborg explains how the cyborg as we know it today actually developed between 1918 and 1933 when German artists gave visual form to their utopian hopes and fantasies in a fearful response to World War I.

In what could be termed a prehistory of the posthuman, Matthew Biro shows the ways in which new forms of human existence were imagined in Germany between the two world wars through depictions of cyborgs. Examining the work of Hannah Höch, Raoul Hausmann, George Grosz, John Heartfield, Otto Dix, and Rudolf Schlichter, he reveals an innovative interpretation of the cyborg as a representative of hybrid identity, as well as a locus of new modes of awareness created by the impact of technology on human perception. Tracing the prevalence of cyborgs in German avant-garde art, Biro demonstrates how vision, hearing, touch, and embodiment were beginning to be reconceived during the Weimar Republic.

Biro’s unique and interdisciplinary analysis offers a substantially new account of the Berlin Dada movement, one that integrates the group’s poetic, theoretical, and performative practices with its famous visual strategies of photomontage, assemblage, and mixed-media painting to reveal radical images of a “new human.”

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