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Rickett tells the story of that perennial box-office draw, special effects, from "trick photography" through today's astonishing, computer-assisted cinematic legerdemain. Individual chapters examine components of the special effects artist's toolkit. Optical illusions, models, and animation are each dissected and appreciated, and ditto makeup and sound effects. The chapter headed "Physical Effects" gives simple instructions for creating the illusion of a snowstorm; "fake snow is infinitely preferable to the real thing," Rickett says. Okay, so most of the tricks described aren't fit for home application, but then why should they be? This is a measured account of an integral part of what makes today's movies, as always, bigger than big and huger than huge. Fascinating stuff for gadget freaks, sf geeks, plain old film fans, and picture-book peepers. Mike Tribby

Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

Product Description

Ever wondered how Harry Potter flew in that quidditch game? Ever puzzled over King Kong swatting down airplanes? Ever tried to figure out Spider-Man swung from building to building? It’s all done with optical and digital effects, with miniature photography and animation, with pyrotechnics, animatronics, and even sound effects--and Special Effects: The History and Technique offers the definitive history of movie magic plus detailed technical explanations and diagrams. Packed with more than 500 photographs and profiles of such groundbreakers as George Lucas, James Cameron, and Robert Zemeckis, it is sure to appeal to fans of all ages. From A Trip to the Moon to X-Men 3, from The Lost World to War of the Worlds, from the 1933 King Kong to the 2005 King Kong, this stunning book reveals the magic of special effects.

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