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Sonny Terry & Brownie McGhee - Backwater Blues (1999)

Posted on 2010-10-04

Name:	Sonny Terry & Brownie McGhee - Backwater Blues (1999)
ASIN/ISBN:	B00000JHBI
Publish Date:	Jun 29, 1999
File size:	458 Mb
File Size:	458 MB
Other Info:	EAC Rip; FLAC (Image) + CUE + LOG; + Covers

Sonny Terry & Brownie McGhee - Backwater Blues (1999)

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Songs of whiskey, women, and money — nothing was more important to the repertoire of this classic acoustic blues duo. Good relations on stage were not, but during this 18-tune club date at Sugar Hill in San Francisco, Terry and McGhee are in good spirits. The former's fingerpicking, good-time guitar strummin', and even-keeled singing, joined by Terry's frantic harmonica and frequent whoops and hollers were the epitome of this genre's style, and these two performing in their heyday.

They do hits familiar to all like "One Bourbon, One Scotch, One Beer," "Key to the Highway," and "Careless Love," while changing up "Sittin' on Top of the World," making it "Climbin' on Top of the Hill." Advice songs include the poignant "My Father's Words," "(If You) Lose Your Money (Please Don't Lose Your Mind," and "Walk On." There's also a lone instrumental, "Playing With the Blues"; the title track identified by Terry as "Backwater Rising"; and occasionally call-and-response vocalizing as on "Climbin'" or harmony singing on "You'd Better Mind." The clarity of the recording and the singing is pure as the driven snow, with no distortion or compression. It's the way this blues should be heard. Lee Hildebrand's episodic liner notes relating the strained relationship between Terry and McGhee, and the tale of Barbara Dane's involvement in the Sugar Hill club is as important a story as the songs the duo sing. The words and music prove a last will and testament accenting this posthumous release, a companion to the Live at Sugar Hill Original Blues Classic CD. It's a must buy for those who treasure this type of no-nonsense porch-style get-down blues.

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Tracklist

-----------------

1. Climbin' on Top of the Hill 3:00

2. Louise 4:14

3. My Father's Words 4:22

4. Backwater Blues 4:29

5. Wine Headed Woman 5:52

6. Careless Love 4:13

7. Playing with the Blues 4:25

8. I Can't Sleep at Night 4:42

9. My Baby's Leavin' 5:04

10. Lose Your Money 3:22

11. Jet Plane Blues 3:44

12. Rainy Day 4:05

13. I'm a Stranger 4:53

14. Women on My String 3:42

15. One Scotch, One Bourbon, One Beer 2:00

16. Key to the Highway 5:14

17. You'd Better Mind 3:45

18. Walk On 2:52

Personnel:

Sonny Terry - Harp,Vocals

Brownie McGhee - Guitar,Vocals

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BIOGRAPHY:by Bill Dahl

The joyous whoop that Sonny Terry naturally emitted between raucous harp blasts was as distinctive a signature sound as can possibly be imagined. Only a handful of blues harmonica players wielded as much of a lasting influence on the genre as did the sightless Terry (Buster Brown, for one, copied the whoop and all), who recorded some fine urban blues as a bandleader in addition to serving as guitarist Brownie McGhee's longtime duet partner.

Saunders Terrell's father was a folk-styled harmonica player who performed locally at dances, but blues wasn't part of his repertoire (he blew reels and jigs). Terry wasn't born blind — he lost sight in one eye when he was five, the other at age 18. That left him with extremely limited options for making any sort of feasible living, so he took to the streets armed with his trusty harmonicas. Terry soon joined forces with Piedmont pioneer Blind Boy Fuller, first recording with the guitarist in 1937 for Vocalion.

Terry's unique talents were given an extremely classy airing in 1938 when he was invited to perform at New York's Carnegie Hall at the fabled From Spirituals to Swing concert. He recorded for the Library of Congress that same year and cut his first commercial sides in 1940. Terry had met McGhee in 1939, and upon the death of Fuller, they joined forces, playing together on a 1941 McGhee date for OKeh and settling in New York as a duo in 1942. There they broke into the folk scene, working alongside Leadbelly, Josh White, and Woody Guthrie.

While Brownie McGhee was incredibly prolific in the studio during the mid-'40s, Terry was somewhat less so as a leader (perhaps most of his time was occupied by his prominent role in Finian's Rainbow on Broadway for approximately two years beginning in 1946). There were sides for Asch and Savoy in 1944 before three fine sessions for Capitol in 1947 (the first two featuring Stick McGhee rather than Brownie on guitar) and another in 1950.

Terry made some nice sides in an R&B mode for Jax, Jackson, Red Robin, RCA Victor, Groove, Harlem, Old Town, and Ember during the '50s, usually with Brownie close by on guitar. But it was the folk boom of the late '50s and early '60s that made Brownie and Sonny household names (at least among folk aficionados). They toured long and hard as a duo, cutting a horde of endearing acoustic duet LPs along the way, before scuttling their decades-long partnership amidst a fair amount of reported acrimony during the mid-'70s.

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	Lyrics & Music Brownie McGhee - Back Home Blues (2001) Brownie McGhee - Back Home Blues (2001)MP3 CBR 320 kbps \| Label: Past Perfect \| 133 MBBlues \| Time: 58:23 min “Although he is chiefly known for his long collaboration with blind harmonica player Sonny Terry, guitarist Brownie McGhee ...
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