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Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
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Reicha - Bläserkonzerte (Dieter Klöcker) (2002)
Posted on 2010-12-30
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More Reicha - Bläserkonzerte (Wind Concertos) Dieter Klöcker (clarinet) - Sarah Willis (horn) - Karl-Otto Hartmann (bassoon) Recorded 2001 | Released 2002 "Entertaining works from an individual voice given appropriately witty accounts … So this is a piece of patchwork, scarcely justifying Buschmann's claim that it can stand beside the concertos of Spohr and Weber, though it is shot through with flashes of entertaining music." (Gramophone) Personnel: Dieter Klöcker (clarinet) Sarah Willis (horn) Karl-Otto Hartmann (bassoon) Recording: Domovina, Prague, 4-8 April 2001 Orfeo C 170 021 A Track listing: 1. Konzert für Klarinette g-moll, Allegro 2. Konzert für Klarinette g-moll, Andante 3. Konzert für Klarinette g-moll, Rondeau 4. Introduktion und Rondo F-Dur 5. Introduktion und Variationen für Klarinette B-Dur 6. Thema und Variationen für Fagott G-Dur Reviews: 'Reicha's chamber music turns up in the catalogue quite often, his copious concertante and symphonic works rather less so. Three of those represented here do not have the quirky originality that can sound intriguing, sometimes merely eccentric, in the wind quintets, and are cast in the familiar forms which composers of his time (1770-1836) could turn out easily enough on demand for passing virtuosos. They are quite testing: Sarah Willis does well with with the bounding line of the horn Introduction and Rondo, and Karl-Otto Hartmann makes some drily witty points with the bassoon Theme and Variations. Though he has quite a lively time of it with the Dittersdorf Clarinet Variations, it is in the Clarinet Concerto that Dieter Klöcker is more fully engaged with a piece that represents something of a rescue operation. Briefly, the music consists of two incomplete outer movements, which Eberhard Buschmann has reconstituted with what is clearly a good deal of ingenuity, particularly in the shaping of a distinctly eccentric first movement. He has also written a slow introduction before setting off on a final Rondeau which, as a facsimile in the booklet reveals, inspires Klöcker to lavish ornamentation on the theme even at its first appearance. The missing slow movement is replaced here by the Andante from the Third Concerto by Iwan Miller, the brilliant itinerant clarinet virtuoso who reformed the instrument, irritated most of his colleagues, and inspired a good many concertos, including this one of Reicha's. His own Andante is an odd piece, capable of darting off in unexpected directions, but suitable enough for the purpose. It was scored by Meyerbeer. So this is a piece of patchwork, scarcely justifying Buschmann's claim that it can stand beside the concertos of Spohr and Weber, though it is shot through with flashes of entertaining music.' (Gramophone) Support good artists, their music! Hotfile link: Fileserve link: Password: aliomodo Your comments = my motivation! Check out my other posts! Subscribe to my RSS feed
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