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Lyrics & Music Guitar Axis - Blues Guitar Road Trip - Tim Lerch - DVD - (2012)
Lyrics & Music Rolling Stone USA - 16 August 2012
Lyrics & Music Billboard Magazine - 11 August 2012
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Lyrics & Music Rolling Stone USA - 16 August 2012
Lyrics & Music Billboard Magazine - 11 August 2012
Lyrics & Music Artsmagic - Play Burton - Max Milligan - DVD - (2011)
Lyrics & Music Artsmagic - Play Vaughan - Max Milligan - DVD - (2012)
Lyrics & Music Artsmagic - Play Cooder - Max Milligan - DVD - (2011)
Lyrics & Music Artsmagic - Play Santana - Max Milligan - DVD - (2011)
Lyrics & Music La Settimana Fiscale N. 31 - 10 agosto 2012
Lyrics & Music Guitar Player Vault - August 2012
Lyrics & Music Billboard Magazine - 04 August 2012
Lyrics & Music Artsmagic - Play Hendrix - Max Milligan - DVD - (2011)
Lyrics & Music Artsmagic - Play Johnson - Max Milligan - DVD - (2012)
Lyrics & Music Artsmagic - Play Richards - Max Milligan - DVD - (2012)
Lyrics & Music Artsmagic - Play Cropper - Max Milligan - DVD - (2012)
Lyrics & Music Artsmagic - Play Clapton - Max Milligan - DVD - (2011)
Lyrics & Music Artsmagic - Play Berry - Max Milligan - DVD - (2012)
Lyrics & Music Rolling Stone USA - 02 August 2012
Lyrics & Music SongXpress - Guitar Yuletide Tunes - DVD - (2002) REPOST
Lyrics & Music Mel Bay - Travis Picking - Paul Pigat - DVD (2008)
Lyrics & Music Dell Horoscope September 2012
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Lyrics & Music Red Garland - Groovy (1957)
Posted on 2010-08-03
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More Red Garland - Groovy (1957) Genre: Jazz Allaboutjazz.com: This trio was known as the rhythm section when Groovy was made. Pianist Red Garland (1923-84), bassist Paul Chambers (1935-69) and drummer Art Taylor (1929-95) were in the midst of a long tenure with Miles Davis and stayed busy in studios backing one horn player after another. The unit's simpatico refinement never wavers in doubt. They were made for each other, honed in night-after-night of performances in a variety of settings. Consider the way Garland balances his chunky block chords on the left with a dancer's lightness on the left. Or the kinetic way Chambers and Taylor interact to trade rhythm and musicality among each other. Consider, too, this is the same unit that ably bridged the spheres between the romantic Miles Davis and the more protean John Coltrane. Surely, this is a combination, or partnership, of truly compelling proportions. The program on Groovy is a warm, sultry mix of jazz standards (”C Jam Blues,” “Willow Weep For Me”), then-popular fare (”Gone Again,” “What Can I Say,” “Will You Still Be Mine”) and a de rigueur Garland blues (”Hey Now”). This was Garland's third Prestige release, the result of two sessions on December 14, 1956 (not May 24, 1957 as the disc indicates) and August 9, 1957. It is typical of the many trio recordings Garland made. But it is grand and easy to enjoy over and over again. Groovy is, well, totally groovy. Amazon.com: When Red Garland was a member of Miles Davis's band in the late '50s, Davis would regularly depart the stage to feature Garland in a trio format. He was a complete jazz pianist, able to find ideal chordal extensions to prod a soloist, to swing aggressively with block chords, and to string together single note lines with buoyant energy and a bright articulation. He was capable of real delicacy, but his playing never descended to the decorative. His regular trio featured bassist Paul Chambers, his gifted partner from the Davis quintet, and drummer Art Taylor, a rock-solid timekeeper whose balance of subtlety and drive also made him Bud Powell's drummer of choice. Garland mated his harmonic sophistication to elements that communicated directly, his tunefulness, his rhythmic drive, and his vigorous roots in Texas and the Southwest blues traditions. They're evident everywhere here, from the medium-tempo swing of Ellington minimalist masterpiece "C-Jam Blues" to the deep, melancholic blues that infuse "Willow Weep for Me." Garland's Prestige recordings of the late '50s are models for the piano trio in modern jazz, and Groovy is among the best of them. --Stuart Broomer Personnel: Red Garland (piano) Paul Chambers (bass) Arthur Taylor (drums) Recorded at the Van Gelder Studio, Hackensack, New Jersey on December 14, 1956 and May 24 & August 9, 1957. Originally released on Prestige (7133). Tracks: 1. C Jam Blues 2. Gone Again 3. Will You Still Be Mine? 4. Willow Weep For Me 5. What Can I Say Dear (After I Say I'm Sorry?) 6. Hey Now New Link:
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