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Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
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Ray Charles: Man and Music
Posted on 2010-04-14
|
Author: Michael Lydon
Publisher: Routledge (2004) Binding: Paperback, 472 pages pricer: $22.95 ISBN-10: 0415970431 editorialreviews In 1954, Atlantic Records honchos Ahmet Ertegun and Jerry Wexler visited an Atlanta club where one of their artists was gigging. Ray Charles and his band blew into a new song when the men entered. It was "I Got a Woman," the tune that marked the blind Albany, Georgia-born singer-pianist's evolution from an able imitator of Nat "King" Cole and Charles Brown into an artist who would transform American music. In Ray Charles: Man and Music, veteran music journalist Michael Lydon imbues the familiar story with fresh detail upon fresh detail. Charles's early years spent scuffling on the chitlin circuit, his embrace of everything from pop chestnuts and country hits to hip jazz as an audaciously eclectic record maker, and the many hours given over to womanizing and a heroin addiction at the height of his stardom are given a cinematic immediacy here. More than most artists, Charles followed his instincts to huge artistic rewards and the love of many listeners who recognized their own voices in his sound. Lydon captures as much of the offstage man as is likely to ever make it to the page--the man who himself once insisted, "My life was what it was. Whatever it became, I made it so." --Rickey Wright
Rating:
2.5 out of 5 by Book123 |
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