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Cultures & Languages Fiat Ducato. Модели с 2000 г., модели российской сборки с 2008 г.
Cultures & Languages Jean Markale - Carnac et l'énigme de l'Atlantide
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Cultures & Languages География России. Природа. Население. 8 класс
Cultures & Languages Francisco Cândido Xavier - Nosso Lar : La vie dans le monde spirituel
Cultures & Languages Andre Agassi - Open
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Cultures & Languages Il Sole 24 Ore - Speciale 2 - La riforma del lavoro
Cultures & Languages Tobias Hürter, Max Rauner - Les Univers parallèles
Cultures & Languages Alain Dupas - Demain nous vivrons tous dans l'espace
Cultures & Languages Stéphane Clerget - Les kilos émotionnels : Comment s'en libérer
Cultures & Languages The Longevity Project: Surprising Discoveries for Health and Long Life from the Landmark Eight-Decade Study [Audiobook]
Cultures & Languages Identity Economics: How Our Identities Shape Our Work, Wages, and Well-Being [Audiobook]
Cultures & Languages Carlo Rovelli - Et si le temps n'existait pas ?
Cultures & Languages Ervin Laszlo - Science et Champ Akashique - Tome 1
Cultures & Languages FlyPast 1997-12 (repost)
Cultures & Languages AutoForum - May 2012
Cultures & Languages Roberto Zamperini - Anatomie subtile
Cultures & Languages the guardian Diabetes - Tuesday, 12 June 2012
Cultures & Languages Lipase and Phospholipase Protocols (Methods in Molecular Biology) by Mark Doolittle (Repost)
Cultures & Languages Jean Markale - Carnac et l'énigme de l'Atlantide
Cultures & Languages Детская энциклопедия "Что такое? Кто такой?". 2 тома
Cultures & Languages География России. Природа. Население. 8 класс
Cultures & Languages Francisco Cândido Xavier - Nosso Lar : La vie dans le monde spirituel
Cultures & Languages Andre Agassi - Open
Cultures & Languages Francisco Candido Xavier - Action et Réaction
Cultures & Languages Il Sole 24 Ore - Speciale 2 - La riforma del lavoro
Cultures & Languages Tobias Hürter, Max Rauner - Les Univers parallèles
Cultures & Languages Alain Dupas - Demain nous vivrons tous dans l'espace
Cultures & Languages Stéphane Clerget - Les kilos émotionnels : Comment s'en libérer
Cultures & Languages The Longevity Project: Surprising Discoveries for Health and Long Life from the Landmark Eight-Decade Study [Audiobook]
Cultures & Languages Identity Economics: How Our Identities Shape Our Work, Wages, and Well-Being [Audiobook]
Cultures & Languages Carlo Rovelli - Et si le temps n'existait pas ?
Cultures & Languages Ervin Laszlo - Science et Champ Akashique - Tome 1
Cultures & Languages FlyPast 1997-12 (repost)
Cultures & Languages AutoForum - May 2012
Cultures & Languages Roberto Zamperini - Anatomie subtile
Cultures & Languages the guardian Diabetes - Tuesday, 12 June 2012
Cultures & Languages Lipase and Phospholipase Protocols (Methods in Molecular Biology) by Mark Doolittle (Repost)
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Cultures & Languages Racechanges: White Skin, Black Face in American Culture
Posted on 2010-03-16
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More Racechanges: White Skin, Black Face in American Culture (Race and American Culture) By Susan Gubar Product Description: When the actor Ted Danson appeared in blackface at a 1993 Friars Club roast, he ignited a firestorm of protest that landed him on the front pages of the newspapers, rebuked by everyone from talk show host Montel Williams to New York City's then mayor, David Dinkins. Danson's use of blackface was shocking, but was the furious pitch of the response a triumphant indication of how far society has progressed since the days when blackface performers were the toast of vaudeville, or was it also an uncomfortable reminder of how deep the chasm still is separating black and white America? In Racechanges: White Skin, Black Face in American Culture, Susan Gubar, who fundamentally changed the way we think about women's literature as co-author of the acclaimed The Madwoman in the Attic, turns her attention to the incendiary issue of race. Through a far-reaching exploration of the long overlooked legacy of minstrelsy--cross-racial impersonations or "racechanges"--throughout modern American film, fiction, poetry, painting, photography, and journalism, she documents the indebtedness of "mainstream" artists to African-American culture, and explores the deeply conflicted psychology of white guilt. The fascinating "racechanges" Gubar discusses include whites posing as blacks and blacks "passing" for white; blackface on white actors in The Jazz Singer, Birth of a Nation, and other movies, as well as on the faces of black stage entertainers; African-American deployment of racechange imagery during the Harlem Renaissance, including the poetry of Anne Spencer, the black-and-white prints of Richard Bruce Nugent, and the early work of Zora Neale Hurston; white poets and novelists from Vachel Lindsay and Gertrude Stein to John Berryman and William Faulkner writing as if they were black; white artists and writers fascinated by hypersexualized stereotypes of black men; and nightmares and visions of the racechanged baby. Gubar shows that unlike African-Americans, who often are forced to adopt white masks to gain their rights, white people have chosen racial masquerades, which range from mockery and mimicry to an evolving emphasis on inter-racial mutuality and mutability. Drawing on a stunning array of illustrations, including paintings, film stills, computer graphics, and even magazine morphings, Racechanges sheds new light on the persistent pervasiveness of racism and exciting aesthetic possibilities for lessening the distance between blacks and whites. Amazon.com Review: The great strength of this fascinating examination of "cross-racial impersonations and imitators" is the thoroughness with which Susan Gubar approaches her topic, focusing on film, literature, journalism, painting, and photography. Because she focuses on the decades before the 1970s, Gubar takes in a great deal of territory--movies such as Birth of a Nation, in which blacks were played by whites in blackface; and Watermelon Man, a 1970 film in which black comedian Godfrey Cambridge played a white man who mysteriously becomes black; the photographs of Robert Mapplethorpe; minstrel images of Bing Crosby, Shirley Temple, and Mickey Rooney; as well as instances of literary "blackface" such as white writer William Styron's novel The Confession of Nat Turner. This is an important work that illuminates the tangle of American mulatto culture that produced both Elvis (who wanted to sing like a black man) and country music singer Charlie Pride. Download Download Link (All my post here)
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