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History/Military "The Family in Crisis in Late Nineteenth-Century French Fiction" by Nicholas White

Posted on 2010-07-27




Name:History/Military "The Family in Crisis in Late Nineteenth-Century French Fiction" by Nicholas White
ASIN/ISBN:0521562740
Publish Date:2004
Language:Cambridge Studies in French 57
Cambrid
Pages:232 pages
File size:1 Mb
Publish Date: 2004
ISBN: 0521562740
Pages: 232 pages
File Type: PDF
File Size: 1 Mb
Other Info: Cambridge University Press
   History/Military "The Family in Crisis in Late Nineteenth-Century French Fiction" by Nicholas White

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"The Family in Crisis in Late Nineteenth-Century French Fiction" by Nicholas White

Cambridge Studies in French 57

This book focusses on a key moment in the construction of the modern view of the family in France, examines how novels represent the problems of family life at a key moment in modern social history.

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• | •

Nicholas White’s analysis of novels by Zola, Maupassant, Huysmans, Hennique, Bourget and Armand Charpentier is fashioned by perspectives on a wide cultural field, including legal, popular and academic discourses on the family and its discontents. His account encourages a close rereading of canonical as well as hitherto overlooked texts from fin-de-siècle France.

What emerges between the death of Flaubert in 1880 and the publication of Bourget’s Un divorce in 1904 is a series of Naturalist and post-Naturalist representations of transgressive behaviour in which tales of adultery, illegitimacy, consanguinity, incest and divorce serve to exemplify and to offer a range of nuances on the Third Republic’s crisis in what might now be termed ‘family values’.

Contents

Acknowledgements page

Introduction: fin de siècle, fin de famille?

PART 1 The promiscuous narrative of Pot-Bouille

1 Demon lover or erotic atheist?

2 The rhythms of performance

PART 2 Pleasures and fears of paternity: Maupassant and Zola

3 Bel-Ami: fantasies of seduction and colonization

4 Incest in Les Rougon-Macquart

PART 3 The blindness of passions: Huysmans, Hennique and Zola

5 The conquest of privacy in A Rebours

6 Painting, politics and architecture

Coda: Bourget’s Un divorce and the ‘honnête femme’

Notes

Bibliography

Index

with TOC BookMarkLinks

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