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Psychoanalysis and the Cinema: The Imaginary Signifier
Posted on 2010-03-16
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More Employing Freudian psychoanalysis, Christian Metz explores the nature of cinematic spectatorship and looks at the operations of meaning in the film text. Le signifiant imaginaire (the imaginary signifier) is an expression that instantly calls to mind a host of issues connected with the second, psychoanalytic phase in the development of a semiotics of the cinema.The term was first used as the title of an essay by Metz in the 1975 issue of Communications devoted entirely to the subject ofpsychoanalysis and the cinema. That year, the article was translated into English for Screen magazine. In 1977, Metz grouped it and three other essays under the collective title Lesignifiant imaginaire as a book that became the touchstone for most further critical inquiry into the psychoanalytical function of cinema. . . It is impossible to overemphasize the importance of Metz's Lesignifiant imaginaire to the evolution of psychoanalytical consideration of the cinema. It is his work, for example, that opened the doors to the study of hypnosis and the filmic spectator. Please appreciate my work to rock these links: Download many interesting free eBooks HERE
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