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Nonfiction Patricia Rodden Zimmermann - States of Emergency: Documentaries, Wars, Democracies

Posted on 2010-04-14




Name:Nonfiction Patricia Rodden Zimmermann - States of Emergency: Documentaries, Wars, Democracies
ASIN/ISBN:081662822X
File size:5.09 Mb
Publish Date: 2000
ISBN: 081662822X
Pages: 256
File Type: PDF
File Size: 5.09 MB
Other Info: University of Minnesota Press
   Nonfiction Patricia Rodden Zimmermann - States of Emergency: Documentaries, Wars, Democracies

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Patricia Rodden Zimmermann - States of Emergency:

Documentaries, Wars, Democracies


Today's political, technological, and aesthetic landscapes are rife with landmines. In this embattled milieu, leftist filmmakers and conservatives struggle for control of the national imaginary. Amid unprecedented mergers and consolidations, political conservatives have launched major attacks against the National Endowment for the Arts, the Public Broadcasting System, state arts councils, and other sponsors of oppositional programming. Meanwhile, developing technologies like satellites and the Internet have not only altered and globalized communication but also offer untapped possibilities for reconstructing democracies. All of these events signal a radical transformation in how we will view the world in the decades to come.

In States of Emergency, Patricia R. Zimmermann describes the shifting terrains socially engaged documentary artists and experimental filmmakers encounter in the aftermath of these changes. Public space has been chiseled away and politically conscious documentaries forced togo underground. Viewing an array of subjects (including the wars in Bosnia, Chiapas, and the Persian Gulf; Japanese internment during World War II; homelessness; race; and reproductive rights) through technologies ranging from high-end video, camcorders, cable access, digital imaging systems, and media piracy, Zimmermann creates an explosive montage of colliding ideas and events. In combative terms, she charts the intricately layered relationships between independent documentary, power, money, and culture, and also analyzes how media artists use new technologies and radical media practices to undermine cuts in support and conservative backlash.

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