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Lyrics & Music Pat Martino - El Hombre (1967)

Posted on 2010-08-03




Name:Lyrics & Music Pat Martino - El Hombre (1967)
ASIN/ISBN:B000UBMYX0
Publish Date:\EAC\Pat Martino - El Hombre 1967\08 Song For My M
File size:319 Mb
File Type: MP3 320kbps 106mb
Other Info: FLAC 277mb [tracks] EAC log, no CUE; Cover, Info+; Play Time 47:24
   Lyrics & Music Pat Martino - El Hombre (1967)

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Pat Martino - El Hombre (1967) [repost]

Genre: Jazz | Label: Prestige/Fantasy | Year: 2007

Guitarist Pat Martino's debut as a leader finds the 22-year-old showing off his roots in soul-jazz organ groups while looking ahead at the same time. Martino primarily plays a straight-ahead set (five of his originals, "Just Friends," and "Once I Loved"), but already displays a fairly distinctive sound. This CD reissue brings back Martino's impressive start to what would be a productive solo career. (Scott Yanow, AMG)

Personnel:

Pat Martino (guitar)

Danny Turner (flute)

Trudy Pitts (organ)

Mitch Fine (drums)

Abdu Johnson (conga drum)

Vance Anderson (bongos)

Track List:

(6:22) - 01. Waltz For Geri

(5:41) - 02. Once I Loved

(5:55) - 03. El Hombre

(4:27) - 04. Cisco

(4:55) - 05. One For Rose

(8:01) - 06. A Blues For Mickey-O

(5:48) - 07. Just Friends

(6:15) - 08. Song For My Mother [prev.unreleased, bonus]

Producer Cal Lampley. Originally released on Prestige (7513). Audio Remasterer Rudy Van Gelder.

EAC extraction logfile from 24. February 2009, 07:24 for CD

Pat Martino / El Hombre

Used drive : HL-DT-STDVD-RAM GSA-H55N Adapter: 1 ID: 0

Read mode : Secure with NO C2, accurate stream, disable cache

Combined read/write offset correction : 0

Overread into Lead-In and Lead-Out : No

Used output format : Internal WAV Routines

44.100 Hz; 16 Bit; Stereo

Other options :

Fill up missing offset samples with silence : Yes

Delete leading and trailing silent blocks : No

Installed external ASPI interface

Track 1

Filename F:\EAC\Pat Martino - El Hombre 1967\01 Waltz For Geri.wav

Peak level 97.9 %

Track quality 99.9 %

Copy CRC 14CD010A

Copy OK

Track 2

Filename F:\EAC\Pat Martino - El Hombre 1967\02 Once I Loved.wav

Peak level 94.7 %

Track quality 100.0 %

Copy CRC 1DC1FDE8

Copy OK

Track 3

Filename F:\EAC\Pat Martino - El Hombre 1967\03 El Hombre.wav

Peak level 97.9 %

Track quality 100.0 %

Copy CRC 2B2189A4

Copy OK

Track 4

Filename F:\EAC\Pat Martino - El Hombre 1967\04 Cisco.wav

Peak level 97.9 %

Track quality 100.0 %

Copy CRC C7CAFB04

Copy OK

Track 5

Filename F:\EAC\Pat Martino - El Hombre 1967\05 One For Rose.wav

Peak level 97.9 %

Track quality 100.0 %

Copy CRC AC5F6696

Copy OK

Track 6

Filename F:\EAC\Pat Martino - El Hombre 1967\06 A Blues For Mickey-O.wav

Peak level 97.9 %

Track quality 100.0 %

Copy CRC A7AD149F

Copy OK

Track 7

Filename F:\EAC\Pat Martino - El Hombre 1967\07 Just Friends.wav

Peak level 97.9 %

Track quality 100.0 %

Copy CRC 36E5D239

Copy OK

Track 8

Filename F:\EAC\Pat Martino - El Hombre 1967\08 Song For My Mother.wav

Peak level 87.5 %

Track quality 99.9 %

Copy CRC BDDB339D

Copy OK

No errors occured

End of status report



One of the most original of the jazz-based guitarists to emerge in the 1960s, Pat Martino made a remarkable comeback after brain surgery in 1980 to correct an aneurysm caused him to lose his memory and completely forget how to play. It took years, but he regained his ability, partly by listening to his older records. Martino began playing professionally when he was 15. He worked early on with groups led by Willis Jackson, Red Holloway, and a series of organists, including Don Patterson, Jimmy Smith, Jack McDuff, Richard "Groove" Holmes, and Jimmy McGriff. After playing with John Handy (1966), he started leading his own bands and heading sessions for Prestige, Muse, and Warner Bros. that found him welcoming the influences of avant-garde jazz, rock, pop, and world music into his advanced hard bop style. After the operation, Martino did not resume playing until 1984, making his recording comeback with 1987's The Return. Although not as active as earlier, Pat Martino has regained his earlier form, recording again for Muse and Evidence; he later signed with Blue Note, issuing All Sides Now in 1996, followed two years later by Stone Blue and in 1998 by Fire Dance. In 2001 Martino released a live album recorded at Yoshi's in California. Two years later he teamed with saxophonist Joe Lovano for Think Tank. [Scott Yanow, AMG]

Recorded early in Martino's career, this album consistently ranks among my top five jazz albums of all time. Martino's playing is full and accomplished, even at the tender age of 22. The robust, driving style of organist Trudy Pitts provides accompaniment that is at once vibrant and powerful as she pulls the color and majesty from the Hammond B3 that has made it legendary. Danny Turner's light and lively flute playing stands in sharp contrast to the thunderous force of the music overall and provides a remarkably successful counterpoint. The band combines for memorable performances of Martino originals and standards, most notably one of the finest instrumental renditions of Monk’s “Just Friends” ever recorded. Highly recommended for all fans of the underrated jazz guitar/organ idiom. Submitted by Ken (Grantham, NH) [amazon.com]

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