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Paganini - 24 Caprices (Tanja Becker-Bender)

Recorded 2007 | Released 2009

A sparkling, cleaned-up version of Paganini, sounding the more amazing for its polish and clarity, and bringing into focus the poetic, romantic sensibility that enthralled the composer's contemporaries. I can't remember hearing the flute and horn imitations in the Ninth Caprice more persuasively performed, and in No 21, marked amoroso, Becker-Bender manages to retain a tender, intimate tone where many of her rivals equate amorousness with crude intensity. The more brilliant passages are just as successful … I'm sure Paganini himself would have been impressed and delighted. - Gramophone "EDITOR'S CHOICE"

Personnel:

Tanja Becker-Bender, violin

Track listing:

1. Caprice No.01 In E: Andante

2. Caprice No.02 In B Minor: Moderato

3. Caprice No.03 In E Minor: Sostenuto; Presto

4. Caprice No.04 In C Minor: Maestoso

5. Caprice No.05 In A Minor: Agitato

6. Caprice No.06 In G Minor: Adagio

7. Caprice No.07 In A Minor: Posato

8. Caprice No.08 In E Flat: Maestoso

9. Caprice No.09 In E: Allegretto

10. Caprice No.10 In G Minor: Vivace

11. Caprice No.11 In C: Andante; Presto

12. Caprice No.12 In A Flat: Allegro

13. Caprice No.13 In B Flat: Allegro

14. Caprice No.14 In E Flat: Moderato

15. Caprice No.15 In E Minor: Posato

16. Caprice No.16 In G Minor: Presto

17. Caprice No.17 In E Flat: Sostenuto; Andante

18. Caprice No.18 In C, 'Corrente': Allegro

19. Caprice No.19 In E Flat: Lento; Allegro Assai

20. Caprice No.20 In D: Allegretto

21. Caprice No.21 In A: Amoroso

22. Caprice No.22 In F: Marcato

23. Caprice No.23 In E Flat: Posato

24. Caprice No.24 In A Minor, 'Tema Con Variazioni': Quasi Presto

Hyperion CDA67763

Recorded in the Chapel of Castle Solitude, Stuttgart, Germany, in 2007

Info:

Paganini’s 24 Caprices Op 1 were considered simply unplayable by most contemporary violinists, but the composer himself bestrode their difficulties with contemptuous ease. A forerunner and inspirer of his younger contemporaries Chopin, Liszt and Berlioz, Paganini was the archetype of the virtuoso performer. His technique was so phenomenal, and his saturnine presence so magnetic, that he was popularly believed to be in league with the Devil. He communicated a new vision of what the violin could achieve.

BBC Music Magazine review:

If anyone is ever likely to convince you that there is more to Paganini's music than Rossini-in-technical overdrive melodramatics, it is Tanja Becker-Bender … Becker-Bender gives the Italian's coruscating roulades more room to breathe, characterising each caprice as though it was microcosmic masterpiece of musical expression.

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Rating:
2.5 out of 5 by Book123