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William Burroughs is both an object of widespread cultural fascination and one of America’s great original writers. The two mysteries that Oliver Harris explores are how Burroughs became that writer and what fascination itself means. His book is both a work of investigative scholarship that draws on rare access to manuscripts to unearth a secret history behind the received story of Burroughs the writer and an enquiry into the experience of being fascinated, its enigmatic psychology and seductive allure.

Harris examines the major works Burroughs produced in the 1950s—Junky, Queer, The Yage Letters, and Naked Lunch—analyzing them within their cultural history and in relation to the methods of their writing. Piecing together for the first time an accurate, material record of Burroughs’ creative history during his germinal decade as a writer, Harris shows the importance of getting this left. He refutes the "junk paradigm" of addiction and instead reveals how the dark power of Burroughs’s fiction, particularly its sexual and political dimensions, was shaped by the creative energy he invested in his letter writing. As Burroughs said to Allen Ginsberg about Naked Lunch, "the real novel is letters to you."

Examining a history of epistolary practices from Kafka to Kerouac, Harris reveals the unique nature and economy of Burroughs’ letters. Readers are thus able to recognize the emergence of Burroughs’ true textual politics—not just his writing’s analysis of power, but its own relation to it—within his actual writing practices. Finally, it becomes clear that the discovery of such secrets does not demystify Burroughs, since this discovery is one more response to the enduring power of his fascination.

"From the moment that I began, I could barely stop reading this brilliantly intoxicating ‘fascination' with the hermeneutics of Burroughsian mysteries. Using considerable intrigue and deftness of his own, Harris draws the reader into the genesis of Burroughs's creative imagination and the intricate geography of his textual politics. Harris has the independence and audacity of his own strong views, which are grounded in scholarly spadework, biographical insight, and textual analysis. For those interested in Burroughs, Beat dynamics, or postmodernism, this is a germinal work."—John Tytell, author of Naked Angels: Kerouac, Ginsberg, Burroughs

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