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§®§å§Ù§Ö§Û §°§Ô§ð§ã§ä§Ñ §²§à§Õ§Ö§ß§Ñ / Ogiust Rodin's museum

§ª§Þ§ñ §°§Ô§ð§ã§ä§Ñ §²§à§Õ§Ö§ß§Ñ §ã§ä§Ñ§Ý§à §à§Õ§ß§Ú§Þ §ß§Ñ §Ó§Ö§Ý§Ú§é§Ñ§Û§ê§Ú§ç §ã§Ú§Þ§Ó§à§Ý§à§Ó §Þ§Ú§â§à§Ó§à§Ô§à §Ú§ã§Ü§å§ã§ã§ä§Ó§Ñ. §ª§Ù§Ý§Ú§ê§ß§Ö §å§á§à§Þ§Ú§ß§Ñ§ä§î §¢§Ö§ä§ç§à§Ó§Ö§ß§Ñ, §Ü§à§Ô§Õ§Ñ §â§Ö§é§î §Ú§Õ§Ö§ä §à "§±§Ñ§ã§ä§à§â§Ñ§Ý§î§ß§à§Û §ã§Ú§Þ§æ§à§ß§Ú§Ú"; §¢§Ñ§Ý§î§Ù§Ñ§Ü§Ñ, §Ü§à§Ô§Õ§Ñ §Ô§à§Ó§à§â§ñ§ä §à "§¹§Ö§Ý§à§Ó§Ö§é§Ö§ã§Ü§à§Û §Ü§à§Þ§Ö§Õ§Ú§Ú"; §Ú§Ý§Ú §¢§Ö§â§Ý§Ú§à§Ù§Ñ, §Ü§à§Ô§Õ§Ñ §ã§Ý§å§ê§Ñ§ð§ä "§¶§Ñ§ß§ä§Ñ§ã§ä§Ú§é§Ö§ã§Ü§å§ð §ã§Ú§Þ§æ§à§ß§Ú§ð". §´§à§é§ß§à §ä§Ñ§Ü §Ø§Ö, §ß§Ö§ä §ß§Ö§à§Ò§ç§à§Õ§Ú§Þ§à§ã§ä§Ú §ß§Ñ§Ù§í§Ó§Ñ§ä§î §Ú§Þ§Ú §Ñ§Ó§ä§à§â§Ñ, §Ô§à§Ó§à§â§Ú §à "§£§â§Ñ§ä§Ñ§ç §¡§Õ§Ñ", "§±§Ñ§Þ§ñ§ä§ß§Ú§Ü§Ö §¢§Ñ§Ý§î§Ù§Ñ§Ü§å", "§¤§â§Ñ§Ø§Õ§Ñ§ß§Ñ§ç §¬§Ñ§Ý§Ö", "§®§í§ã§Ý§Ú§ä§Ö§Ý§Ö", "§±§à§è§Ö§Ý§å§Ö" §Ú §Õ§â§å§Ô§Ú§ç §ê§Ö§Õ§Ö§Ó§â§Ñ§ç §²§à§Õ§Ö§ß§Ñ. §³§Ü§å§Ý§î§á§ä§à§â§å §á§â§Ú§ê§Ý§à§ã§î §Õ§à§Ý§Ô§à §Ø§Õ§Ñ§ä§î §á§â§Ú§Ù§ß§Ñ§ß§Ú§ñ §Ü§Ñ§Ü §ã§à §ã§ä§à§â§à§ß§í §à§æ§Ú§è§Ú§Ñ§Ý§î§ß§í§ç §Ú§ß§ã§ä§Ñ§ß§è§Ú§Û, §ä§Ñ§Ü §Ú §ã§à §ã§ä§à§â§à§ß§í §ê§Ú§â§à§Ü§à§Û §à§Ò§ë§Ö§ã§ä§Ó§Ö§ß§ß§à§ã§ä§Ú. §­§Ú§ê§î §Ó 80-§Ö §Ô§à§Õ§í XIX §ã§ä§à§Ý§Ö§ä§Ú§Ú, §á§à§ã§Ý§Ö §ã§Ü§Ñ§ß§Õ§Ñ§Ý§Ñ, §â§Ñ§Ù§â§Ñ§Ù§Ú§Ó§ê§Ö§Ô§à§ã§ñ §Ó §ã§Ó§ñ§Ù§Ú §ã §ï§Ü§ã§á§à§Ù§Ú§è§Ú§Ö§Û §Ö§Ô§à §â§Ñ§Ò§à§ä§í "§¢§â§à§ß§Ù§à§Ó§í§Û §Ó§Ö§Ü", §Ö§Þ§å §å§Õ§Ñ§Ý§à§ã§î §Ó§à§Û§ä§Ú §Ó §á§Ý§Ö§ñ§Õ§å §à§Ò§ë§Ö§á§â§Ú§Ù§ß§Ñ§ß§ß§í§ç §Ó§Ö§Ý§Ú§Ü§Ú§ç §Þ§Ñ§ã§ä§Ö§â§à§Ó. §¬§å§Ý§î§Þ§Ú§ß§Ñ§è§Ú§à§ß§ß§í§Þ §Þ§à§Þ§Ö§ß§ä§à§Þ, §à§ã§ä§Ñ§Ó§Ú§Ó§ê§Ú§Þ §ñ§â§Ü§Ú§Û §ã§Ý§Ö§Õ §Ó §ä§Ó§à§â§é§Ö§ã§ä§Ó§Ö §²§à§Õ§Ö§ß§Ñ, §ã§ä§Ñ§Ý§Ñ, §á§à§Ø§Ñ§Ý§å§Û, §Ó§í§ã§ä§Ñ§Ó§Ü§Ñ §Ö§Ô§à §Ý§å§é§ê§Ú§ç §á§â§à§Ú§Ù§Ó§Ö§Õ§Ö§ß§Ú§Û §Ó §á§Ñ§Ó§Ú§Ý§î§à§ß§Ö §¡§Ý§î§Þ§Ñ §Ó 1900 §Ô§à§Õ§å. §²§à§Õ§Ö§ß§å §Ò§í§Ý§à §ä§à§Ô§Õ§Ñ 60 §Ý§Ö§ä.

Ogiusta Rodin's name became one on the greatest symbols of world art. It is excessive to mention Beethoven, so far as concerns "the Pastoral symphony"; Balzac when speak about "the Human comedy"; or Berlioz when listen to "the Fantastic symphony". In the same way, there is necessity to name them no author, speak about "the Hell Gate", "the Monument to Balzac", "Citizens of Calais", "Thinker", "Kiss" and Rodin's other masterpieces. The sculptor had to wait long for a recognition both from outside official instances, and from outside the wide public. Only in 80th years XIX century, after the scandal which has burst in connection with an exposition of its work "Bronze age", it managed to enter into a galaxy of the conventional great masters. The exhibition of its best products in pavilion Alma in 1900 became the culmination moment which has left a bright trace in creativity of Rodin, perhaps. To Rodin was then 60 years.

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