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Nusrat Fateh Ali Khan - The Rough Guide to Nusrat Fateh Ali Khan (2002) Genre: World / Qawwali

Amazon.com:

The Rough Guide to Nusrat Fateh Ali Khan celebrates the singer who died tragically young four years ago, and who single-handedly put the Pakistani qawwali style on the international map. The music's mystical peace and love message may have made it a laudable export, but its freewheeling modes can be initially hard on the Western ear. What sold it to audiences was this man's extraordinary vocal virtuosity. He could holler with rasping roughness, or he could weave the most delicate melismas. He was adept at pacing his long solos--these 10-minute tracks are mere excerpts--and at building to a blazing climax. All these songs are ecstatically in praise of Allah and his saints, but they range from intimate religious rituals to orchestrated numbers complete with attendant female choruses almost in the Bollywood mode. The liner notes are by Jameela Siddiqi, author of the relevant Rough Guide chapter, and they're exemplary: she places this music in its historical and religious context with lucid authority. "Out of a thousand listeners," said Nusrat, "even if just one feels closer to his Creator, then my work is done." Listen attentively to this marvelous record and you'll see what he meant. --Michael Church



Allmusic.com:

There's no doubt that Nusrat Fateh Ali Khan was probably the greatest singer of qawwal, the devotional songs of the Sufi. He was, arguably, one of the greatest singers of the 20th century, up there with names like Pavarotti for the power and emotion of his vocalizing, much of which came in his ecstatic improvising, which could stretch out -- all too often the pieces would last more than ten minutes each, like "Hazrat Khwaja Kheliye Dhamar," a song from the original qawwali repertoire that Khan makes entirely his in this stunning performance, backed by his group, or party as they're known. This collection carefully balances the spiritual side of Khan's repertoire with the more secular ghazals and romantic poetry. His art was in his voice and the flights of extemporization that were specifically his. But while much of his career, and indeed his reputation, came from his work in the traditional manner, Khan was also a relentless experimenter, as shown by the final track here, "Dam Mast Qalandar," which brings in a female chorus, beats, and samples for a dance track that's actually messy and far from his finest work. The biggest problem with Khan, really, is picking the best of his work -- there's simply so much of it available. This does a very fair job of representing the man, and showing his facets and talents, more so than some other best of collections available, at least. Inevitably, with so much great work of Khan's on disc, the choices are subjective. But to hear him at his best, within the tradition, the 1985 Paris Concerts are a high point, and for his more experimental side, Mustt Mustt is little short of brilliant. This disc gives you a picture of the man; those two are a more direct route to his essence. ~ Chris Nickson



Tracks:

01. Ya Hayyo Ya Qayyum

02. Dam Hama Dam Ali Ali

03. Nami Danam Chi Manzil Bud Shab Jai Ki Man Budam

04. Hazrat Khwaja Sangh Kheliye Dhamar

05. Mera Yeh Charkha

06. Boha Aes Wele Kine Kharkaya

07. Mera Sohna Sajan

08. Dam Mast Qalandar

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