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Amedeo Balbi - La musica del Big Bang. Come la radiazione cosmica di fondo ci ha svelato i segreti dell’Universo (Repost)
Audio Engineering 101 - A Beginner's Guide to Music Production
Audio Engineering 101: A Beginner's Guide to Music Production
Computer Music Modeling and Retrieval. Sense of Sounds
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Chromatic Transformations in Nineteenth-Century Music (repost)
Thinking about Music
Music Law - How To Run Your Band's Business
Your Free Open Source Music Studio
The Defence of Tradition in Brazilian Popular Music (Repost)
Musictech MTM Vol 109 DVDR TUTORiAL
Computer Music Issue 177 May 2012 Full DVD
Digital Labz Music - Octane & DLR Drum & Bass Seminar
Charles Hubert Hastings Parry - The Evolution of the Art and Music
Les Mills - RPM (DVD and Music - 2003-2009)
Amedeo Balbi - La musica del Big Bang. Come la radiazione cosmica di fondo ci ha svelato i segreti dell'Universo (Repost)
Amy Nathan - The Young Musician's Survival Guide: Tips from Teens and Pros
The Public Domain - How to Find & Use Copyright-Free Writings, Music, Art & More, 5 edition
Music Law - How to Run Your Band's Business, 6th edition
Amedeo Balbi - La musica del Big Bang. Come la radiazione cosmica di fondo ci ha svelato i segreti dell’Universo (Repost)
Audio Engineering 101 - A Beginner's Guide to Music Production
Audio Engineering 101: A Beginner's Guide to Music Production
Computer Music Modeling and Retrieval. Sense of Sounds
Music Software Training Ableton Remixing Walkthrough TUTORiAL-SYNTHiC4TE
Chromatic Transformations in Nineteenth-Century Music (repost)
Thinking about Music
Music Law - How To Run Your Band's Business
Your Free Open Source Music Studio
The Defence of Tradition in Brazilian Popular Music (Repost)
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No Sympathy for the Devil: Christian Pop Music and the Transformation of American Evangelicalism
Posted on 2011-08-14
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More David W. Stowe, "" In this cultural history of evangelical Christianity and popular music, David Stowe demonstrates how mainstream rock of the 1960s and 1970s has influenced conservative evangelical Christianity through the development of Christian pop music. For an earlier generation, the idea of combining conservative Christianity with rock--and its connotations of nonreligious, if not antireligious, attitudes--may have seemed impossible. Today, however, Christian rock and pop comprises the music of worship for millions of Christians in the United States, with recordings outselling classical, jazz, and New Age music combined. Shining a light on many of the artists and businesspeople key to the development of Christian rock, Stowe shows how evangelicals adapted rock and pop in ways that have significantly affected their religion's identity and practices. The chart-topping, spiritually inflected music created a space in popular culture for talk of Jesus, God, and Christianity, thus lessening for baby boomers and their children the stigma associated with religion while helping to fill churches and create new modes of worship. Stowe argues that, in the four decades since the Rolling Stones first unleashed their hit song, "Sympathy for the Devil," the increasing acceptance of Christian pop music by evangelicals ultimately has reinforced a variety of conservative cultural, economic, theological, and political messages. PLEASE INFORM ME IF LINKS ARE DEAD
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