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Lectures on Numerical Methods in Bifurcation Problems
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
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The Last Days of Tolstoy by V. G. Chertkov
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Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
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Neil Gaiman - Mr Punch
Posted on 2010-04-14
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McKean's art elevates the visuals above the basic flat 2D of most comics, most impressively his use of photographic elements, adding depth and a sense of realism. It more than compliments Gaiman's writing, demonstrating yet again why these two are one of the best creative teams in comics. McKean's work here is still some of the best of his career - sharp, inventive and captivating. The whole design of the book is something to behold, left down the twisting fonts, showing why he is the arguably the best when it comes to doing what he does, as well as the most prone to 'homage'. Having the Punch and Judy puppets as the only "real" elements (apart from backgrounds and props) is a masterstroke. Mr Punch himself is a terrifying figure, a puppet, all pointy angles and staring eyes. Even his speech, larger than the other fonts, stands out against smears of white as he laughs and taunts. "That's the way to do it!" The characters are, for the most part, painted, except in the case of reflections, in photographs and half-recalled memories. When the narrator is seen in the present day, it is in shadow (another form of puppetry), a silhouette through gauze, and mostly at funerals or weddings, the beginning and the ends of families. Most tantalisingly is the back cover of the book, where a small boy lies sleeping, helping the phantasmagorical atmosphere along. This combination of words and pictures create such an engrossing world that we are sucked left in, sometimes uncomfortably as we witness the exploits of the clearly mad Mr Punch and the parallels in life. Gaiman has said that MR PUNCH is the work he is most proud of, which, looking at his body of work, is saying something. It's a dark and unsettling look at how we perceive that strange and exciting time known as childhood long after we've grown up. And that's the way to do it. 20.6mb
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2.5 out of 5 by Book123 |
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