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Cultures & Languages Negotiations: 1972-1990 (European Perspectives: a Series in Social Thought and Cultural Ctiticism)

Posted on 2010-03-16




Name:Cultures & Languages Negotiations: 1972-1990 (European Perspectives: a Series in Social Thought and Cultural Ctiticism)
ASIN/ISBN:0231075804
Language:English
File size:8.65 Mb
Publisher: Columbia University Press
Pages: 221 pages
Publish Date: 1995-11
ISBN: 0231075804
File Type: PDF
File Size: 8.65 MB
   Cultures & Languages Negotiations: 1972-1990 (European Perspectives: a Series in Social Thought and Cultural Ctiticism)



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Negotiations: 1972-1990 (European Perspectives: a Series in Social Thought and Cultural Ctiticism)

By Gilles Deleuze


Product Description:

A provocative guide to Deleuze by Deleuze, this collection traces the intellectual journey of one of the most important French philosophers and clarifies the key critical concepts in the work of this vital figure who has had an impact on aesthetics, film theory, psychoanalysis and cultural studies.

"These interviews are for the most part accessible to anyone (excepting the one with Negri who is a special case). They describe what Deleuze was trying to do with his books better than most commentators. Though they remain mere introductions to his thought, if you're trying to wrap your skull around postmodernism, there are worse places to start.

We learn pretty valuable things about Deleuze from Deleuze. His attitude towards the sciences and mathematics was plainly not anti-science. Deleuze saw the creative arts and the sciences as distinct domains. And they usually are, in geography at minimum. He figured philosophy's job was to mediate between these two forms of life. (Much like how the blacksmith is the mediator between civilization and primitive societies in A Thousand Plateaus.) So he enjoyed taking theorems of math and showing how they mapped onto movies and showing how paintings illustrated physics. He probably would have succeeded if he hadn't written in his infamously opaque stream-of-consciousness style. As it is the scientists got all hostile because they couldn't understand him like an article in Scientific American. (And you know who you are.) Since the scientists were hostile, the artists produced "science studies," wherein they study rheotric designed to cover up that they don't know science.

Even thought the arts and sciences are perhaps in greater disagreement today than ever, the twentieth century does remain, as Foucault said, "Deleuzian." "

"As my Ph.D is on Deleuze, perhaps I am not the most objective reviewer, but this is an excellent supplement to the ideas of Deleuze. It is in his interviews and short pieces between his major works that Deleuze's most striking ideas come out, and anything he says without Guattari is on incredible value."


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