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Natacha Atlas - Mish Maoul (2006)

World music / Arabesque music / Ethnic / Electronica

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Wikipedia:

Natacha Atlas (born March 20, 1964) is a Belgian singer known for her fusion of Arabic and North African music. She once termed her music "cha'abi moderne" (an updated form of Egyptians's pop music). Her music has been influenced by many styles including Arabesque music, drum 'n' bass, and reggae.

She began her career with two jobs as a belly dancer and the lead singer of a Belgian salsa band. In 1991, she recorded the track "Timbal" with Balearic Beat on the album ¡Loca!. Atlas also worked with Jah Wobble composing five tracks for the LP Rising above Bedlam. Through the recording of ¡Loca!, Atlas met labelmates Transglobal Underground, who at the time had a Top 40 hit, "Templehead."

Atlas became the lead singer and belly dancer for Transglobal Underground (TGU), which focused on mixing Eastern and Western sounds as well as other styles.

Most of Atlas' albums have been produced by TGU. She continues to focus on her Eastern roots, as the titles of her albums imply: "Diaspora" (1995), "Halim" (1997) (in honour of Egyptian singer Abdel Halim Hafez), "Gedida" (1998) and "Ayeshteni" (2001).

In 1999, Atlase collaborated with David Arnold on the song "One Brief Moment." The single featured a cover version of the James Bond theme song from the film You Only Live Twice; two years earlier Atlas had collaborated with Arnold on the album Shaken and Stirred, recording the song "From Russia with Love" for the eponymous film (originally performed by Matt Monro).

Due to her French-language tracks, Atlas is now quite popular in France. In the U.K., on the other hand, she has not experienced the same amount of success. Atlas hopes that this will change with her new version of Screamin' Jay Hawkins' "I Put A Spell On You". She is not very happy about the way her music is perceived in the UK: "Someone from the NME rang us about a feature we're to do with them and said 'We don't want it to be about the multi-cultural angle'. In other words that fad is over. And I'm personally insulted... what other... angle is there for us? I get sick of it all."

In 2005, Atlas contributed the song "Just Like A Dream" (from Something Dangerous) to the charity album Voyces United for UNHCR.

Her song "Kidda" was featured in the 2005 video game Grand Theft Auto: Liberty City Stories on Radio del Mundo.

Atlas was originally billed to star in and provide the soundtrack to the film Whatever Lola Wants, directed by Nabil Ayouch. However, shooting delays caused Atlas to only be involved in the film's soundtrack.

Her song "Gafsa" (Halim, 1997) was used as the main soundtrack during the Korean film Bin-Jip (also know as 3-Iron) (2004) by Kim Ki-Duk.

She participated in the piece "Light of Life (Ibelin Reprise)" for the soundtrack of Ridley Scott's "Kingdom of Heaven".

In 2007, Atlas collaborated with Belinda Carlisle for Belinda's 7th album Voila. She contributed additional vocals on songs "Ma Jeunesse Fout Le Camp," "La Vie En Rose," "Bonnie et Clyde" and "Des Ronds Dans L'Eau." Voila was released via Rykodisc in the U.K. on 5 February, 2007 and in the U.S. the following day.

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Tracklisting:

1. Oully Ya Sahbi

2. Feen

3. Hayati Inta

4. Ghanwah Bossanova

5. Bathaddak

6. Bab El Janna

7. Wahashni

8. Haram Aleyk

9. La Lil Khowf

10. Yariet

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mish-maoul.com:

As befits her globe-trotting lifestyle and influences, Middle Eastern singer Natacha Atlas continues to create a body of work that refuses to be neatly categorised. Over the past decade, she has entrancingly fused North African and Arabic music with western electronic beats to produce a unique dance music hybrid. This sound has constantly been fed by fresh musical passions and testing in new sonic settings. With her latest, exciting album Mish Maoul, however, her career comes full circle to touch base with her roots. The new album harks back in its sound and traditions to the music she grew up hearing in the Moroccan suburb of Brussels, particularly when the Golden Sound Studio Orchestra of Cairo makes its entrance. It also reunites her again with the Temple of Sounds Nick Page aka Count Dubulah, with whom she first worked in Transglobal Underground and who helped produce her very first solo album Diaspora (and many subsequent collaborations).

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