Technical Myth and Metamorphosis. Picasso's Classical Prints of the 1930s (0262561557)

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The book's argument is built around detailed analyses of several separate print series: Picasso's illustrations for Ovid's Metamorphoses, the etchings of the Vollard Suite, and The Minotauromachy. Common to all of them, the book shows, is a strong engagement not only with the classical, but with the viewer.

In the latter, Picasso's prints are clearly at odds with the understanding of the relationship between classical art and its audience that prevailed throughout most of the nineteenth and twentieth centuries - an understanding that held the work's purported autonomy to mirror the viewer's own. By exposing that autonomy as a fantasy, Picasso opens the "classical" work and its viewer alike to the entanglements of desire and the dissolution of boundaries it inevitably brings.

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	Adventure Legends Myth and Metamorphosis: Picasso's Classical Prints of the 1930s $Buy this bookBook Description:Previous studies of Picasso's involvement with the classical have tended to concentrate on the period immediately following the First World War, and to attribute that involvement to both the rise of politica ...
	Cultures & Languages A Short Introduction to Classical Myth Barry B. Powell, "A Short Introduction to Classical Myth"Prentice Hall \| 2001-09-17 \| ISBN: 0130258393 \| 224 pages \| PDF \| 7,1 MBA Short Introduction to Classical Myth by Barry B. Powell was used in my Greek and Roman mythology class as a c ...
	History/Military Laughing with Medusa. Classical Myth and Feminist Thought (Classical Presences) Vanda Zajko, Miriam Leonard, "Laughing with Medusa. Classical Myth and Feminist Thought (Classical Presences)"Oxford University Press, USA \| 2008-03-15 \| ISBN: 0199237948 \| 460 pages \| PDF \| 2,2 MBLaughing with Medusa explores a series of i ...
	Arts & Design Myth and Metamorphosis: Picasso Author: Lisa FlormanPublisher: The MIT Press (2001)Binding: Hardcover, 281 pagespricer: $70.00ISBN-10: 0262062135editorialreviewsPrevious studies of Picasso's involvement with the classical have tended to concentrate on the period immediate ...
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