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My Voyage To Italy (Il Mio Viaggio In Italia)

Studio: Mediatrade Gruppo Mediaset, Miramax Films | Language: English, Italian; Subtitle: English (.srt)

Genre: Documentary | IMDB: 8.3/10 | Director: Martin Scorsese; Writers: Suso Cecchi d'Amico, Raffaele Donato | 1999 Year

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“This survey of Italian cinema by Martin Scorsese is a worthwhile follow-up to his 1995 documentary A Personal Journey Through American Movies. Packed with insight and film clips, Voyage covers Italian cinema from World War II through the early '60s, the time that the young Scorsese watched these films before starting his career. The heart of the documentary is the Neo-Realism movement – not the lightest of genres, but Scorsese's passion helps considerably. He introduces us to his family and Sicilian ancestors via photos and home movies allowing us to understand how powerfully these films affected him and his family. He talks about how he saw the films, often through inferior prints on television, and calls out details to observe. The filmmaker spends upwards of 15 minutes on a single film, with the bulk of the history centering on five powerhouse directors: Roberto Rossellini (“Open City”), Vittorio De Sica (“The Bicycle Thief”), Luchino Visconti (“Senso”), Federico Fellini (“8-1/2”), and Michelangelo Antonioni(“L'Avventura”).

Scorsese's four-hour-plus survey should come with a college credit for film history. He examines the major films but also spends time on films that may be hard to find on home video (at least at this time): Rossellini's six-part “Paisan”, a heart-breaking look at the last days of the war; De Sica's episodic “The Gold of Naples”; Fellini's atypical “I Vitelloni”, which was a major influence on Scorsese's own “Mean Streets”; Antonioni's “Eclipse” with its radical ending; and Rossellini's “Voyage to Italy”, an examination of a marriage that failed worldwide as a film but was a touchstone for the French New Wave movement. The final results are not as accessible as “Personal Journey” but, at worst, a viewer will have working knowledge of more than 20 Italian films (and be able to cheat their way through a discussion). At best, these are four hours that will end too soon and leave you hungry to view these films that have fueled Scorsese's cinematic vision.” – Buy It at Lowest Price on Amazon



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“I definitely enjoyed an evening watching Turner Classic Movies listening to Martin Scorsese discuss his appreciation and affection for many of the formative films of Italian cinema, particularly the neo-realism movement and the post-war works of Rossellini, De Sica, Fellini, Visconti and Antonioni. So personal is this documentary, that it was like spending an evening with a friend sharing a mutual interest; and for those with an interest in International cinema, this is a rare treat. My suggestion is to hunt down as many of these films as you can find on video, then view them on the biggest television you can find. Among the more obscure and brilliant works discussed are PAISAN, GERMANY-YEAR ZERO, OSSESSIONE, SENSO, L'ECLISSE and I VITELLONI; along with more popular masterpieces, OPEN CITY, BICYCLE THIEF, LA DOLCE VITA, EIGHT AND A HALF and L'AVVENTURA. Superb!” –

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“In the beginning and end of Mi Viaggio Di Italia (My Voyage to Italy), filmmaker Martin Scorsese explains, in good reason, that the way to get people more interested in film is to share personal experiences of viewing particular ones that had some kind of impact for a movie-goer's experience (much like a friend telling another that a new movie is out, go see it, it's good, etc). Scorsese used a similar approach to his first cinema lesson – A Personal Journey Through American Movies – and like that one, it's a long, detailed, and deeply felt documentary. Sometimes when he talks about these movies you can tell he's so passionate about them, and it's a good approach.

First, Scorsese gives the viewer a feel of how he saw so many of these films from Italy – how he could go from seeing a Roy Rogers western in the theater and come home to watch a Rossellini series or a De Sica feature on TV- then, he goes through a comprehensive tale of the progression of the neo-realist movement, also mentioning the silent film epics, the tragi-comedies, and how it progressed into the “new-wave” of Antonionni and Fellini in the early 60's. Like “Personal Journey”, it's long, possibly longer than the previous, and might not be watchable in one sitting (it's a two parter as I remember it from seeing it broadcast on TV). But for the avid movie-goer, fan of neo-realism, or someone wanting to get a glimpse of a better world in cinema in these days of cineplex garbage, it's highly reccomendable. ” –

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