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Lyrics & Music Guitar Axis - Blues Guitar Road Trip - Tim Lerch - DVD - (2012)
Lyrics & Music Rolling Stone USA - 16 August 2012
Lyrics & Music Billboard Magazine - 11 August 2012
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Lyrics & Music Artsmagic - Play Vaughan - Max Milligan - DVD - (2012)
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Lyrics & Music Rolling Stone USA - 16 August 2012
Lyrics & Music Billboard Magazine - 11 August 2012
Lyrics & Music Artsmagic - Play Burton - Max Milligan - DVD - (2011)
Lyrics & Music Artsmagic - Play Vaughan - Max Milligan - DVD - (2012)
Lyrics & Music Artsmagic - Play Cooder - Max Milligan - DVD - (2011)
Lyrics & Music Artsmagic - Play Santana - Max Milligan - DVD - (2011)
Lyrics & Music La Settimana Fiscale N. 31 - 10 agosto 2012
Lyrics & Music Guitar Player Vault - August 2012
Lyrics & Music Billboard Magazine - 04 August 2012
Lyrics & Music Artsmagic - Play Hendrix - Max Milligan - DVD - (2011)
Lyrics & Music Artsmagic - Play Johnson - Max Milligan - DVD - (2012)
Lyrics & Music Artsmagic - Play Richards - Max Milligan - DVD - (2012)
Lyrics & Music Artsmagic - Play Cropper - Max Milligan - DVD - (2012)
Lyrics & Music Artsmagic - Play Clapton - Max Milligan - DVD - (2011)
Lyrics & Music Artsmagic - Play Berry - Max Milligan - DVD - (2012)
Lyrics & Music Rolling Stone USA - 02 August 2012
Lyrics & Music SongXpress - Guitar Yuletide Tunes - DVD - (2002) REPOST
Lyrics & Music Mel Bay - Travis Picking - Paul Pigat - DVD (2008)
Lyrics & Music Dell Horoscope September 2012
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Lyrics & Music Mr.Demachy - Pièces de violle (Savall)
Posted on 2010-08-03
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More Mr.Demachy - Pièces de violle [1685] (Jordi Savall) "If instruments are appreciated in proportion to their faculty for imitating the human voice, one cannot ignore the great value of the Viol, which imitates it in all its modulations" wrote Mersenne in 1636. Jordi Savall would certainly not disagree. With great eloquence, he brings out all the instrument's vocal qualities, from the ethereal "voix de tête" (head voice) to the powerful "voix de poitrine" (chest voice). And Mr. Demachy makes constant use of high and low registers (thanks to the famous seventh string), and for the first time in France (1685), gives preference to the solo viol, rather than the consort or the viol-continuo duet. His writing is nevertheless richly polyphonic, anticipating the Solo Cello Suites of J.S. Bach. (CD liner notes) (Première) Suite en Ré mineur 1 Prelude 2:37 2 Allemande 4:00 3 Courante 2:33 4 Sarabande 2:57 5 Gigue 3:10 6 Gauotte 1:17 7 Menuet 1:01 8 Gauotte [de la (Seconde) Suite en ré majeur] 1:01 9 Menuet [de la (Seconde) Suite en ré majeur] 0:53 (Troisième) Suite en Sol mineur 10 Allemande 2:59 11 Courante, Double 2:27 12 Sarabande, Double 2:30 13 Gigue 1:43 14 Gauotte 1:24 (Quatrième) Suite en Sol majeur 15 Prelude 0:47 16 Allemande 2:57 17 Courante 2:08 18 Sarabande 2:37 19 Gigue 1:53 20 Chaconne 4:41 Jordi Savall Basse de viole à sept cordes (facteur anonyme français du XVIIe siècle)
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