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Lectures on Numerical Methods in Bifurcation Problems
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
Methods for Finding Zeros in Polynomials
Lectures on Stochastic Flows and Applications
Educational Psychology by Edward L. Thorndike
The Last Days of Tolstoy by V. G. Chertkov
Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
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Master Lightning Guide , « For Portrail Photographers »
Posted on 2010-03-15
|
More Master Lightning Guide, «For Portrail Photographers» What is a portrait? The simple answer to the question,at least as defined by most dictionaries, is that a por-trait is a likeness of a person that features the face. If you've seen anyearly photographic portraiture, you know that these photos rarely pre-sented much more. The long exposures and slow emulsions oftennecessitated using a head brace, a metal yolk bolted to the back of aposing chair that served to immobilize the subject's head. Typical expo-sures were many seconds long and success was often measured in non-blurred images. Faces were recorded; emotion and nuance were not. CONTENT PART I—THE PRINCIPLESOF PORTRAIT LIGHTING THE NATURE OF LIGHT PROFESSIONALLIGHTING EQUIPMENT LIGHT RATIOS BASIC LIGHTING CLASSIC LIGHTING STYLES PART II—PORTRAIT LIGHTINGIN PRACTICE A VERSATILE PORTRAIT LIGHTING SETUP A SINGLE SUBJECT WITH TWO SUBJECTS BASIC LIGHT FOR BUSINESS PORTRAITURE. FINDING BOUNDARIES A HAIR LIGHT FOR EVERY OCCASION CLOSING THE PUPIL BACKGROUNDS HEADSHOTS HEADSHOTWITH MINIMALDEPTH OF FIELD REDUCING THE DEPTH OF FIELD ADDING DRAMA HEADSHOTS FOR PUBLICITY APPLYING MAKEUP EDITORIAL PORTRAITURE WORKING WITH FALLOFF HIGH-KEY LIGHTING LOW-KEY LIGHTING ONE-LIGHT GLAMOUR PORTRAITS WITH FLARE WORKING WITH THE PROFILE LOCATION PHOTOGRAPHY THE BEAUTY OF OVEREXPOSURE BRIDAL PORTRAITS FASHION LIGHT THE FILM-LIGHT CONNECTION GENTLE LIGHT GET IN TIGHT THE "HOLLYWOOD" PORTRAIT THE INTIMATE PORTRAIT LIGHT ON LIGHT NORTH LIGHT SIMULATING NATURAL SUNLIGHT WORKING WITH CANDLES UNDERLIGHTING FOR GLAMOUR
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