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The cultural resilience of fairy tales is incontestable. Surviving over the centuries and thriving in a variety of media, fairy tales continue to enrich our imaginations and shape our lives. This Norton Critical Edition of The Classic Fairy Tales examines the genre, its cultural implications—and its critical history. The editor has gathered fairy tales from around the world to reveal the range and play of these stories over time. The Classic Fairy Tales focuses on six different tale types: "Little Red Riding Hood,' "Beauty and the Beast," "Snow White," "Cinderella," "Bluebeard," and "Hansel and Gretel." It includes multicultural variants of these tales, along with sophisticated literary rescriptings.

Each tale type is preceded by an introduction, and annotations are provided throughout. Also included in this collection of over forty stories are tales by Hans Christian Andersen and Oscar Wilde. "Criticism" collects twelve essays that interrogate different aspects of fairy tales by exploring their social origins, historical evolution, psychological dynamics, and engagement with issues of gender and national identity. Bruno Bettelheim, Robert Darnton, Sandra M. Gilbert and Susan Gubar, Karen E. Rowe, Marina Warner, Zohar Shavit, Jack Zipes, Donald Haase, Maria Tatar, Antti Aarne, and Vladimir Propp provide critical overviews. A Selected Bibliography is included.

About the Series—Each Norton Critical Edition includes an authoritative text, contextual and source materials, and a wide range of interpretation—from contemporary perspectives to the most current critical theory—as well as a bibliography and a chronology of the author's life and work.

Contents

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Introduction

The Texts of The Classic Fairy Tales

Introduction: Little Red Riding Hood

The Story of Grandmother

Charles Perrault • Little Red Riding Hood

Brothers Grimm • Little Red Cap

James Thurber • The Little Girl and the Wolf

Italo Calvino • The False Grandmother

Chiang Mi • Goldflower and the Bear

Roald Dahl • Little Red Riding Hood and the Wolf

Roald Dahl • The Three Little Pigs

Introduction: Beauty and the Beast

Jeanne-Marie Leprince de Beaumont • Beauty and the Beast

Giovanni Francesco Straparola • The Pig King

Brothers Grimm • The Frog King, or Iron Heinrich

Angela Carter • The Tiger's Bride

Urashima the Fisherman

Alexander Afanasev • The Frog Princess

The Swan Maiden

Introduction: Snow White

Giambattista Basile • The Young Slave

Brothers Grimm • Snow White

Lasair Gheug, the King of Ireland's Daughter

Anne Sexton • Snow White and the Seven Dwarfs

Introduction: Cinderella

Yeh-hsien

Charles Perrault • Donkeyskin

Brothers Grimm • Cinderella

Joseph Jacobs • Catskin

The Story of the Black Cow

Lin Lan • Cinderella

The Princess in the Suit of Leather

Introduction: Bluebeard

Charles Perrault • Bluebeard

Brothers Grimm • Fitcher's Bird

Brothers Grimm • The Robber Bridegroom

Joseph Jacobs • Mr. Fox

Margaret Atwood • Bluebeard's Egg

Introduction: Hansel and Gretel

Brothers Grimm • Hansel and Gretel

Brothers Grimm • The Juniper Tree

Joseph Jacobs • The Rose-Tree

Charles Perrault • Little Thumbling

Pippety Pew

Joseph Jacobs • Molly Whuppie

Introduction: Hans Christian Andersen

The Little Mermaid

The Little Match Girl

The Girl Who Trod on the Loaf

The Red Shoes

Introduction: Oscar Wilde

The Selfish Giant

The Happy Prince

The Nightingale and the Rose

Criticism

Bruno Bettelheim • [The Struggle for Meaning]

Fairy Tales and the Existential Predicament

Bruno Bettelheim • "Hansel and Gretel"

Robert Darnton • Peasants Tell Tales: The Meaning of Mother Goose

Sandra M. Gilbert and Susan Gubar • [Snow White and Her Wicked Stepmother]

Karen E. Rowe • To Spin a Yarn: The Female Voice in Folklore and Fairy Tale

Marina Warner • The Old Wives' Tale

Zohar Shavit • The Concept of Childhood and Children's Folktales: Test Case—"Little Red Riding Hood"

The Concept of Childhood up to the Seventeenth Century

Relations between the Child's World and the Adult's World: From Unity to Polarization

The Spread of the Concept of Childhood into Society: Two Concepts

"Little Red Riding Hood": A Test Case of Attitudes towards Folktales from the Seventeenth Century On

Perrault's Version

Manipulating the Model: The Ambiguity of "Little Red Riding Hood"

The Basis for the Ambiguous Nature of the Text

The Function of the Duality of the Intended Audience

Differences between Versions of "Little Red Riding Hood": Perrault vs. the Brothers Grimm

Differences in Tone and Ending

Jack Zipes • Breaking the Disney Spell

The Oral and Literary Fairy Tales

Disney's Magical Rise

Casting the Commodity Spell with Snow White

Donald Haase • Yours, Mine, or Ours? Perrault, the Brothers Grimm, and the Ownership of Fairy Tales

The Revered Place of Folklore

The Nationalistic View of Folklore

Bettelheim's Psychoanalytic Interpretations of Fairy Tales

The Question of Ownership

Discovering Individual Ownership of Fairy Tales

Maria Tatar • Sex and Violence: The Hard Core of Fairy Tales

Antti Aarne and Stith Thompson • From The Types of the Folktale: A Classification and Bibliography

Vladimir Propp

Folklore and Literature

From Morphology of the Folktale

The Method and Material

Thirty-One Functions

Propp's Dramatis Personae

Selected Bibliography

Anthologies

Critical Studies

& 8221;

Tags: FairyTales, Mythology, Literature, LiteraryCriticism

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See Also:

Maria Tatar, "The Annotated Classic Fairy Tales"

Jack Zipes, "The Oxford Companion to Fairy Tales"

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