Lyrics & Music Mahler: Symphony No. 2 - CSO, Haitink (live, 2008) (B002X0EMKY)

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Mahler: Symphony No. 2 - Chicago Symphony Orchestra, Haitink (Live 2008 recording)

CSO Resound, CSOR901914 (2 Discs) - Released 2009

Disc 1

Mahler Symphony No. 2 in C minor, "Resurrection"

I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck (21:12)

Disc 2

II. Andante moderato. Sehr gemächlich. Nie eilen (10:09)

III. Scherzo. In ruhig fließender Bewegung (11:09)

IV. Urlicht (Primal light). Sehr feierlich, aber schlicht (4:59)

V. Im tempo des Scherzos. Wild herausfahrend (34:33)

Chicago Symphony Orchestra - Bernard Haitink, Conductor

Chicago Symphony Chorus - Duain Wolfe, Director

Christianne Stotijn, Mezzo-soprano

Miah Persson, Soprano

Recorded live in Orchestra Hall at Symphony left on November 20, 21, 22 and 25, 2008.

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The most recent release from the Chicago Symphony Orchestra Resound label is an impressive recording of Mahler's Second Symphony. Based on performances given in late November 2008, this recording preserves the memorable readings CSO principal conductor Bernard Haitink gave this work last year.

In this recording, it's possible to hear the attention to detail which Haitink brought to those live performances. Such integrity allowed the score to play as intended by the composer, an intention implicit in the various revisions Mahler made after the premiere of the Second in 1894 - particularly the refinements he published in the 1906 edition of the score. From the start Haitink made the work resonate, with the tremolo with which the first movement opens as intense as a climactic moment in an opera. The opening tempo is engaging, and Haitink is able to propel the movement forward by drawing from the orchestra nicely etched articulations at cadences and other structurally important places, as indicated in the score. He broadens the tempo when necessary and, when marked in the score, allows various passages to push forward. The swells of sound Mahler orchestrated have a clear shape, as the sonorities build to fullness and decay naturally.

While some of this ambience may be the result of the acoustics of the hall, the tight ensemble of the CSO must be acknowledged as the source of the solid and mature sound in this masterful performance. With the strings at the core, the orchestra offers equally strong sonorities from the woodwinds and brass. At the same time, the percussion deserves recognition for the effective use of the timpani, along with support from the non-tuned instruments. With its immediate and upfront sound in this recording, the softer passages are never lost in the mix; however the tutti passages at the end of the first section of the first movement, to cite one example, can be overwhelming. The passages which conclude the movement reveal an appropriate pacing, with the final gesture bringing the movement to a resounding conclusion. Mr. Haitink has captured a clarity and delicacy of precision like no other. Definitely not Mahler 2 as over-the-top drama. Listen to Mr. Haitink and hear Mahler 2 as a musical redemption. Beautiful drama like I've never heard!

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