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King Crimson - In The Court Of The Crimson King [24-bit HDCD Remaster] (1969)

Genre: Progressive Rock

This reissue of King Crimson's debut, In the Court of the Crimson King (1969), renders all previous pressings obsolete. In the late '90s, Robert Fripp remastered the entire Crimson catalog for inclusion in a 30th anniversary edition. Nowhere was the upgrade more deserved (or necessary) than on this rock & roll cornerstone. Initially, King Crimson consisted of Robert Fripp (guitar), Ian McDonald (reeds/woodwind/vibes/keyboards/Mellotron/vocals), Greg Lake (bass/vocals), Michael Giles (drums/percussion/vocals), and Peter Sinfield (words/illuminations). As if somehow prophetic, King Crimson projected a darker and edgier brand of post-psychedelic rock. Likewise, they were inherently intelligent -- a sort of thinking man's Pink Floyd. Fripp demonstrates his innate aptitude for contrasts and the value of silence within a performance, even as far back as "21st Century Schizoid Man." The song is nothing short of the aural antecedent to what would become the entire heavy alternative/grunge sound. Juxtaposed with that electric intensity is the ethereal noir ballad "I Talk to the Wind." The delicate vocal harmonies and McDonald's achingly poignant flute solo and melodic counterpoint remain unmatched on an emotive level. The surreal and opaque lyrics are likewise an insight to Peter Sinfield's masterful wordplay, which graced their next three releases. The original A-side concludes with the powerful sonic imagery of "Epitaph." The haunting Mellotron wails, and Fripp's acoustic -- as well as electric -- guitar counterpoints give the introduction an almost sacred feel, adding measurably to the overall sinister mood. Giles' percussion work provides a pungent kick during the kettle drum intro and to the aggressive palpitation-inducing rhythm in the chorus. "Moonchild" is an eerie love song that is creepy, bordering on uncomfortable. The melody is agile and ageless, while the instrumentation wafts like the wind through bare trees. Developing out of the song is an extended improvisation that dissolves into a non-structured section of free jazz, with brief guitar lines running parallel throughout.

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Tracklisting:

1. 21st Century Schizoid Man including Mirrors (7:23)

2. I Talk To The Wind (6:07)

3. Epitaph (8:48)

- a) March For No Reason

- b) Tomorrow and Tomorrow

4. Moonchild (12:13)

- a) The Dream

- b) The Illusion

5. The Court Of The Crimson King (9:23)

- a) The Return Of The Fire Witch

- b) The Dance of the Puppets

Total Time: 43:54

Line-Up:

- Robert Fripp / guitar

- Greg Lake / bass guitar, lead vocals

- Ian McDonald / reeds, woodwind, vibes, keyboards, mellotron, vocals

- Michael Giles / drums, percussion, vocals

- Peter Sinfield / words and illumination

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Rating:
2.5 out of 5 by Book123