Kamelot - The Fourth Legacy (1999) (1155456211)

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Scans Included | Dark Wings/Noise | N 0323-2 | ~371 + 121 Mb | FServe, FSonic

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Kamelot's "The Fourth Legacy" is a great album of half Progressive, half Power Metal with a big keyboard presence. I find this album has so much going for it. I find it balances things so well, with Progressive elements abound in each song and excellent use of keyboards which meld so well into the structure and play their part in creating each song and making it unique. We get a grand pseudo symphonic keyboard intro to the album, kind of pretentious in a way, but I really dig it so much! It just then gives way to the marvellous title track, grand Power Metal riffs with original melodies and nice use of Progressive elements in the middle. They keep things up with "Silent Goddess" making you feel exhilerated in the kind of ambitous design of their songs but just wanting to plain rock out as well. "Desert Reign" which follows continues the keyboard supremacy, really conjuring up images of an Arabian bazaar from centuries ago which just totally owns, I really like Eastern kind of stuff like this mixed with the whole Metal thing, it's just fundamentally cool. It serves as an intro, leading smoothly into "Nights Of Arabia" which is my favourite track on here. It has a real storytelling structure and I like the use of female vocals here.

"The Shadow Of Uther" just has that incredible medieval sounding melody part which ties in the themes of the lyrics they're going for. I just love that melody part. It doesn't rival the last track, but it's a great addition to an already consistent and exciting album. “A Sailorman’s Hymn" is an acoustic ballad with such powerful emotion put into it, mixing a strong feeling of hope with fear of the worst and despair too. The next two tracks are similar to compare, both "Alexandria" and "The Inquisitor" have the same kind of Progressive presence and good songwriting that we've seen before, both are great, but each is different from the next which is a strength of the album overall. A part of what makes this album so good is to be found in the range of Roy Khan, which is what helps to make up the mood of each song. He really does put a lot of power and thought into each lyric he sings which gives this album its great effect. Silly as it may be, the lyrics are very sing along-able, even in such a Progressive affair as this with each lyric preceded (in the booklet) by a quote from history or philosophy, which gives it the theme the band picked up on. It's still very cool.

Another ballad with "Glory", not as good as the last ballad but still well played and written. The last two songs aren't as strong, sounding a bit more tired and less full of enthusiasm as the start of the album is. They are good and worth listening to, but I don't think they add to the album as much as the rest of it. Still this album is a very worthy purchase for any fans who like Progressiveness and a bit of cheese here and there, with (quite non cheesy) historical and fictional lyrical concepts. Go get it!

~ Wez, Metal Archives Review

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