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John Ward (ca. 1589~1638) - Consort music: Phantasm (SACD. 2009. PCM 24bit-192kHz stereo)

Posted on 2010-11-16




Name:John Ward (ca. 1589~1638) - Consort music: Phantasm (SACD. 2009. PCM 24bit-192kHz stereo)
File size:2959.36 Mb
Other Info: SACD; YAMAHA DVD-S1800; WAVETERMINAL 192X; ASIO; CUBASE SX; WAV 24bit/192kHz; FLAC 24bit/192kHz
   John Ward (ca. 1589~1638) - Consort music: Phantasm (SACD. 2009. PCM 24bit-192kHz stereo)

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SACD to PCM 24bit-192kHz | FLAC, TRACKS | 2.89GB | COMPLETE SCANS | 43MB

Classical | Label: LINN | Catalog Number: CKD 339

RAR 3% Rec. | FileServe.com, FileFactory.com


& 8220;Viol consort Phantasm performs fantasias in five or six parts by English composer John Ward (1589 - 1638) who wrote little else. The works summon the dancing gaiety as well as the dark, wood-panelled domesticity of Jacobean London; these were for the growing home-entertainment market. Phantasm plays with a slight expressive whine and delicate balance. There is a lightness in the musicians' bows that betrays the communal pleasure of performance and jaunty phrasing in the three fantasias built on Italian songs. The three In Nomines are more serious, the imitations now in agreement rather than the pass-the-parcel exuberance of some of the fantasias. Classic FM Magazine& 8221;


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Finalist Early Music Album of the Year

Classic FM Gramophone Awards 2010

BBC Music Choice - Chamber

BBC Music Magazine


& 8220;JOHN WARD (CA. 1589~1638)

Consort music for five and six viols


John Ward (ca. 1589~1638) has to put up with a name of such unadorned plainness that it is hard to believe he was a leading light in Jacobean viol consort music. Though wrongly demeaned on occasion today as a mere "amateur" composer (because he didn't hold a court or ecclesiastic appointment), connoisseurs in the seventeenth century were in no doubt about his stature. Writing almost forty years after his death in 1676, Thomas Mace names ‘Mr John Ward' as one of those ‘diverse famous Englishmen' of ‘very great eminence and worth' who composed fantasies ‘as fit monuments, and patterns for sober and wise posterity, worthy to be imitated and practiced'. To judge from the far flung transmission of his instrumental works in private

collections, Ward was indeed imitated and practiced for a good long while, though in 1676 only Purcell's final chapter in imitative consort music remained to be written some four years later after a period of intense study, perhaps even composed in response to Mace's ‘monumental' vision of the old English viol fantasy, filled with its ‘pathetical stories' and ‘divine raptures'....
& 8221;


Performers: Ensemble

Tracklisting:

01. Fantasia No.1 a6 (VdGS 1) 03:25

02. Fantasia No.3 a6 (VdGS 3) 03:34

03. Fantasia No.6 a6 (VdGS 6) 04:02

04. Fantasia No.2 a6 (VdGS 2) 02:55

05. Fantasia No.4 a6 (VdGS 4) 03:37

06. Fantasia No.5 a6 (VdGS 5) 02:38

07. Fantasia No.7 a6 (VdGS 7) 03:23

08. In Nomine No.1 a6 (VdGS 1) 03:53

09. Fantasia No.1 a5 (VdGS 1) 03:01

10. Fantasia No.2 a5 "La Rondinella" (VdGS 2) 03:47

11. Fantasia No.3 a5 (VdGS 3) 03:30

12. Fantasia No.4 a5 (VdGS 4) 03:00

13. Fantasia No.5 a5 (VdGS 5) 03:07

14. Fantasia No.6 a5 (VdGS 6) 02:50

15. Fantasia No.7 a5 (VdGS 7) 03:33

16. Fantasia No.8 a5 (VdGS 8) 03:08

17. Fantasia No.9 a5 (VdGS 9) 03:17

18. Fantasia No.10 a5 (VdGS 10) 03:18

19. Fantasia No.11 a5 "Cor mio" (VdGS 12) 03:15

20. Fantasia No.13 a5 "Non fu senze" (VdGS 14) 02:57

21. Fantasia No.12 a5 "Leggiadra sei" (VdGS 13) 04:24

22. In Nomine a5 (VdGS 14) 03:29

23. In Nomine No.2 a6 (VdGS 2) 03:42

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