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Lyrics & Music John Cage - 62 Mesostics Re Merce Cunningham (1991)
Posted on 2010-08-03
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More John Cage: 62 Mesostics Re Merce Cunningham (1991) Various mirrors: Rapidshare, Depositfiles, Megaupload & more! "Composing's one thing, performing's another, listening's a third. What can they have to do with one another?" (John Cage) From 1963, John Cage developed a new poetic form that he called the ‘mesostic', in which new words were formed vertically by highlighting one character within each line of the horizontal text. But was Cage ever concerned about the fact that the visual element of his mesostics somehow disappeared when they were presented orally—by speech or song? In the foreword to "I-VI", Cage wrote that the mesostics were "written to be read aloud", yet they were written and published without abandoning the horizontal/vertical relationship between the letters, a relationship that is nowhere to be found when the text is read aloud. Cage doesn't come across as one who would fail to notice such an issue since the visual element appears to have been very important to him, or else "I-VI" would not have had to be published in the shape that it was. CD1: Sixty-two Mesostics Re Merce Cunningham (Nos.1-31) (1971) 46:32 CD2: Sixty-two Mesostics Re Merce Cunningham (Nos.32-62) (1971) 46:32 Eberhard Blum, voice Digital recording: August 14, 1991. Hessischer Rundfunk, Frankfurt, Germany hatART CD 60951/2 Download (Currently it's in the queue to be reuploaded. Thanks for your patience.)
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