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Joe South - Introspect (1968) Don't It Make You Want To Go Home (1969) (2003 2on1 cd)

Rock | 2003 Raven RVCD-175 | 5% recovery record | RS & HF | Source: cd, my rips & scans | 3 audio formats (all tagged)

EAC WavPack img+cue+log, secure, AccurateRip, 492mb | Foobar Flac tracks+log+no cue, secure, compression level 5, 491mb

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Singer/songwriter Joe South (born Joe Souter) began his career as a country musician, performing on an Atlanta radio station and joining Pete Drake's band in 1957. The following year, he recorded a novelty single, "The Purple People Eater Meets the Witch Doctor," and became a session musician in Nashville and at Muscle Shoals. South appeared on records by Marty Robbins, Eddy Arnold, Aretha Franklin, Wilson Pickett, Bob Dylan (Blonde on Blonde), and Simon & Garfunkel ("The Sounds of Silence"). During the '60s, South began working on his songwriting, crafting hits for Deep Purple ("Hush") and several for Billy Joe Royal, including "Down in the Boondocks." South began recording his own material in 1968, scoring a hit with the Grammy-winning "Games People Play" (Song of the Year) the following year. While South produced hits like "Don't It Make You Want to Go Home" and "Walk a Mile in My Shoes," Lynn Anderson had a smash country and pop hit in 1971 with South's "(I Never Promised You a) Rose Garden."

These two late-'60s albums were released at the peak of Joe South's commercial success and visibility, coinciding with his hits "Games People Play" (which appears on 1968's Introspect) and "Walk a Mile in My Shoes" (which is on 1969's Don't It Make You Want to Go Home?). This Raven reissue combines both records onto one CD, with the addition of the way-cool psychedelic soul outing "Hole in Your Soul" (from the Games People Play album) as a bonus track. As no less than 14 of the 22 tracks also appear on Raven's own Anthology: A Mirror of His Mind -- Hits and Highlights 1968-1975 -- nine of Introspect's 11 cuts, in fact, are also on Anthology -- it could be questioned whether listeners who have that best-of really need this too. Still, it does capture South at the peak of his powers, at the time where his idiosyncratic brand of pop/rock was really coming together, drawing from country, gospel, soul, the increasing freedom for personal expression opened up by the singer/songwriter movement, and a bit of psychedelia, kind of like a thinking person's B.J. Thomas. Introspect is perhaps the more memorable of the pair, if only for including "Games People Play" and South's version of "Rose Garden," which became a huge hit a couple years later for Lynn Anderson. Anyone who likes the sound South forged on Introspect, however, will also like the similar Don't It Make You Want to Go Home?, which has some relatively little-known quality songs like "Shelter" and "Clock Up on the Wall," as well as items too off the wall to make it onto best-of comps (particularly the spooky psychedelic blues-rock jam "A Million Miles Away"). Throughout, there's the sense of a man finding his own voice, one that, whether explicitly or subtly, was urging a search for an uplifting commonality among both musical genres and humanity in general.

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