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Educational Psychology by Edward L. Thorndike
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Globalization and Responsibility
Lectures on Siegel Modular Forms and Representation by Quadratic Forms
Lectures on Topics In One-Parameter Bifurcation Problems
History of the Incas by Pedro Sarmiento de Gamboa
Linear Algebra: Theorems and Applications
Lectures on Stochastic Differential Equations and Malliavin Calculus
A Short Biographical Dictionary of English Literature
Lectures on Sieve Methods and Prime Number Theory
Dollars and Sense by William Crosbie Hunter
The Theory of the Theatre by Clayton Hamilton
The Mathematics of Investment
Occupiers of Wall Street: Losers or Game Changers
The Solution of the Pyramid Problem
Lectures on Moduli of Curves
Walden by Henry David Thoreau
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Jesus Jones - Liquidizer (Food 7 93238 1) (GER 1989) (Vinyl 24-96 & 16-44.1)
Posted on 2010-09-09
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More Jesus Jones - Liquidizer Cat : Food 7 93238 1 | Country/Year: Germany 1989 MD5 FFP [] CUE [] LOG [] INFO TEXT ARTWORK webfind [] selfrip Info: Jesus Jones - Liquidizer Label: Food, EMI Electrola GmbH Catalog : 7 93238 1 Format: Vinyl, LP, Album Country: Germany Released: 1989 Genre: Electronic, Rock Style: Alternative Rock Tracklist: A1 Move Mountains A2 Never Enough A3 The Real World A4 All The Answers A5 What's Going On A6 Song 13 B1 Info Freako B2 Bring It On Down B3 Too Much Too Learn B4 What Would You Know? B5 One For The Money B6 Someone To Blame Notes: Recorded in London in June 1989. Front Photography at P.T.W. This is the first Jesus Jones Album and is a diary of the band conception to...This! "Liquidizer" was made under the influence of: Turntable Orchestra, The Byrds, Napalm Death, The Chamen, Neneh Cherry, Star Trek, Public Ennemy, Mel and Kim, Sonic Youth, Bomb The Bass, Tapeman, Todd Terry, Cookie Crew, Prince, Allen Konigsberg, S'Express, World Domination, Enterprise, Sonny Boy, Williamson, Jimi Hendrix, The Jungle Brothers, Them Mysterious Bulgarian Voices, Head Of David, For A Few Dollars More, A Guy Called Gerald, Malcolm Young, Leigh "Scratch" Fenlon, Dinosaur Jnr, Sweet T, Joe Smooth, Black Sabbath, De La Soul, Faith No More, Erik B + Takim, Apocalypse Now, The The, Big Black, The Evil Dead and the news and views of 1988 / 1989. ? 1989 The copyright in this sound recording is owned by food records limited under exclusive licence to EMI records limited © 1989 Food Records, Limited. Comes with an inner sleeve with lots of thank you's. On the small side of the cardboard the band name is written like this: "Jezus Jones". Barcode and Other Identifiers: Barcode: 0 077779 323814 Other (Label Code): LC 0542 Discogs Url: http://www.discogs.com/release/2432427 Wikipedia Url: http://en.wikipedia.org/wiki/Liquidizer_%28album%29 Review by Ned Raggett It's a product of its time, and it wanted nothing more than to be seen as such -- the credits list for the album names every last sample source, ranging from Prince and Sonic Youth to Apocalypse Now and the news and views of 1988 and 1989. But it's the breadth which makes Liquidizer a thrilling experience, even if the end results are oddly enough one-dimensional: instantly catchy power pop fed through industrial, techno, and hip-hop approaches, topped off with Mike Edwards' confident bark. However, it's better that than just another guitar pop album, and even if Jesus Jones reflected trends rather than started any on their own, their debut album was still a confident statement of purpose, demonstrating that yes, there was such a thing as wide-ranging listening eclecticism. As such, Liquidizer, like the late-'80s work of Jesus Jones' grubbier brothers-in-arms, Pop Will Eat Itself, may not make anyone forget the two groups' obvious joint inspiration, the Bomb Squad, but the principle was still the same: eat the world, spit out the results at loud volume. "Never Enough" was the overdriven semi-radio hit in America, but "Info Freako" is the real kicker of the bunch, with a blasting chorus that would silence most metal bands of the time and probably Edwards' best trademark "yeaaah!" Elsewhere, heavily processed aggro-tech-funk that's kissing cousins with the likes of World Domination Enterprises and Renegade Soundwave slams up against bubble-salsa piano lines and Beach Boys backing harmonies, all aimed at instant memorability and, clearly, pop success without apology. Top it off with the aggressively friendly sarcasm of Edwards -- he has his targets, however couched in metaphor, and doesn't spare them the edge of his tongue -- and Liquidizer holds up better than might be expected. Compared to most wretched American nu-metal bands a decade later, Jesus Jones doesn't forget the sheer fun of hip-hop as well as the potential rage. 4/5 allmusicguide
Rating:
2.5 out of 5 by Book123 |
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