Lyrics & Music Jerry Lee Lewis - The Killer's Private Stash ( CD 1991) (B00033T7TE)

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Jerry Lee Lewis - The Killer's Private Stash (CD 1991)

"The Killer's Private Stash", a stunning boootleg with early pre-Sun demos, Catch my Soul and GBOF movie out-takes. An unbelievably rare collection of unissued recordings.

Includes Jerry Lee's first recordings, done at a radio station in Louisiana in 1954. "I don't hurt anymore" was the first recording by Jerry Lee that is available on record. At 19 years, he has a fully fledged style.

Tracks:

01 I Don't Hurt Anymore 2:43

02 If I Ever Needed You 2:32

03 Lust Of The Blood 3:44

04 Let A Soldier Drink 2:57

05 My God Is Real 1:09

06 Real Wild Child 2:20

07 I'm Throwing Rice 2:13

08 Crazy Arms 2:53

09 Whole Lotta Shakin' Goin' On (X-Rated) 7:12

10 I'm Using My Bible For A Road Map and I Long To See Jesus 4:31

Tracks 01 & 02 are from 1954 (JLL was 19!), 03 & 04 were intended for Jerry Lee's stage rock version of Shakespeare's 'Othello'. The rest are outtakes from the soundtrack of the biopic of Lewis's life that starred Dennis Quaid and were recorded around 1989.

D/L Link:

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& 8220;

“You shake my nerves and you rattle my brain…”

Goodness gracious, the tumult of this man’s life... Jerry Lee Lewis was a notorious hell-raiser on and off the stage, and the shock factor of his frolics can only be matched by the hair-raisingly long list of tragedies he’s endured. Somehow, Lewis is still standing... maybe piano-playing brings good luck. Maybe, when he wasn’t lighting the things on fire, he derived some kind of protective power from them. Given how much he’s survived, it’s not that farfetched a theory.

As a boy, Jerry shared piano lessons with his two cousins, Mickey Gilley and Jimmy Swaggart. The former became a country musician, the latter a TV evangelist…further proof that there was some kind of piano mojo out there in Louisiana. Lewis and his family were very poor, but parents Elmo and Mamie knew their son had the talent of a prodigy. Mamie hoped that the young man’s talent would be used inside the church, so she enrolled him in a fundamentalist Texas bible college. Lewis was promptly kicked out—as the story goes, for a rockin’ rendition of “My God Is Real.” He had married a preacher’s daughter when he was sixteen, and then the following year he married again (bigamously, mind you) when one of his girlfriend’s brothers insisted on matrimony—shotgun wedding style, authentic shotguns and all. He eventually divorced the preacher’s daughter, and his shotgun bride gave birth to a son.

Lewis was determined to sign with Sun Records just like Elvis did, so he and his father sold eggs for traveling money to make an audition. Jerry made his way to Memphis in 1956, at the age of twenty-one, and though founder Sam Phillips was away on vacation, Sam’s left-hand man Jack Clement gave Lewis a listen. Clement liked what he heard, and he backed Lewis with Roland Janes on guitar and J.M. Van Eaton on drums—the very players that would support Lewis through his seven years at Sun.

Lewis’ first single was a cover of the Ralph Mooney-written (and previously Ray Price-performed) “Crazy Arms.” But it was the second single, “Whole Lotta Shakin’ Goin’ On,” that brought him his audacious breakthrough. Banned from radio for its sexual innuendo, the song sold a fair number of copies in the South, but sales went through the five-million-record roof when Lewis sang it on The Steve Allen Show. Shortly after that first single was released, incidentally, Lewis joined Elvis and Carl Perkins for a gleefully spontaneous recording session that was would come to be called the Million Dollar Quartet. 'Quartet' because Johnny Cash was supposed to have jammed with the boys also, but begged off because his wife wanted to go shopping.

Lewis, nicknamed 'the Killer,' toured incessantly and perfected his rowdy stage antics—kicking back piano stools and pounding, not tickling, those poor ivories. And when he arrived in England to tour in 1958, the press pounced on him. Jerry had secretly married Myra, wife number three and his, oh, thirteen-year-old cousin and daughter of his bass player, Jay. And now the secret was out. After just three shows, Lewis and his barely-a-teenager bride left the U.K. and returned to the States. Things weren’t much easier for him back home, though. Religious officials condemned him, many of his fans averted their affection, and for nearly a decade, save a Ray Charles cover called “What’d I Say,” Lewis’ career sputtered.

But as he usually did, Lewis brushed himself off in the late 60’s. He signed with Smash Records, where he and his producer Jerry Kennedy threw themselves into country—always the genre most likely to forgive a person his trespasses. His c&w hits, of which he had more than thirty by the time the 80’s rolled around, included “Another Place, Another Time,” “What Made Milwaukee Famous (Made a Loser Out of Me),” “There Must Be More to Love Than This” and “Chantilly Lace.” And never one to be coy, Lewis deemed his stage show 'The Greatest Show on Earth.'

While the show went on, there was tragedy galore on the personal front. Jerry divorced Myra in 1970, he battled drug and alcohol addiction and he endured the deaths of two sons and two wives (his fourth and fifth). He accidentally shot his bass player in the chest one boozy night—and though the victim survived, he went on to sue Lewis.

Lewis was also arrested for waving a gun around outside of Elvis’ Graceland home. He put the guns down in the mid-80’s, but that didn’t exactly mean the end of his legal woes. Lewis surrendered himself to authorities on tax evasion charges, but was later acquitted. Often, to the press and to fans, he explained that the hardships fell upon him because he had chosen rock and roll music—the music the devil likes best—as his path, instead of something more upright like a good choir or glee club.

Whatever the calamity, Lewis never stopped making music. The most successful album of his career was The Session in 1973, recorded in London and featuring Peter Frampton, Alvin Lee, Klaus Voormann and Rory Gallagher revamping his oldies. He was inducted into the Rock and Roll Hall of Fame in 1986, and a movie based on his life, Great Balls of Fire, was released in 1989. It starred Dennis Quaid, to whom Lewis gave piano lessons and with whom he shared vocal duties.

Lewis released Young Blood in 1995, because “retirement” isn’t in his lexicon, and he still played live throughout the rest of the decade. They say the stars that burn the hottest flame out the quickest, but after more than four decades of rock and roll, Jerry Lee Lewis remains one great ball of fire.

& 8221;

When the press were calling JLL an incestuous, cradle-robbing pervert for marrying his 13-year-old cousin, Myra, in 1957, he tried to defend himself by pointing out that he was not legally married to Myra as he'd never got round to divorcing his first wife (whom he'd married when he was 15?). After that, the press called him an incestuous, cradle-robbing bigamist.

Original News:

"No wonder they call him The Killer "

Guardian (UK), 2005.

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