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Arts & Design Monograms and Ciphers by Albert Angus Turbayne
Arts & Design Principles of Decorative Design
Arts & Design Caricature and Other Comic Art
Arts & Design Elements of Modern Painting
Arts & Design Famous European Artists by Sarah K. Bolton
Arts & Design China, 5000 Years: Innovation and Transformation in the Arts
Arts & Design Art of the Avant-garde in Russia
Arts & Design American Drawings by Lawrence Alloway
Arts & Design American Abstract Expressionists and Imagists
Arts & Design The Seven Periods of English Architecture
Arts & Design Art of the Avant-garde in Russia
Arts & Design A History of Architecture on the Comparative Method
Arts & Design The Great Painters' Gospel by Henry Turner Bailey
Arts & Design The Evolution Of Fashion by Florence Mary Gardiner
Arts & Design A History of Architecture on the Comparative Method
Arts & Design The Madonna in Art by Estelle M. Hurll
Arts & Design Michelangelo: A Collection of Fifteen Pictures, and a Portrait of the Master
Arts & Design The History of the Nineteenth Century in Caricature
Arts & Design Carving a Future for Belfast
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Arts & Design Jean-Luc Nancy, Kiarostami Abbas: The Evidence of Film
Posted on 2010-03-16
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More Jean-Luc Nancy, Kiarostami Abbas: The Evidence of Film What Nancy aims to achieve, therefore, is to define a new essence or form of film that has always been there but only appears now for itself in Kiarostami's work. The central idea of this new essence is that cinema is fundamentally an art of looking at the world. To develop this unsurprising statement into an innovative path for film theory, Nancy uses two concepts. One is the concept of gaze or way of looking ('regard' in French); the other is a conception of the world. These two concepts are inextricably linked since the definition of film, as an art of looking is only made possible through the understanding of how Nancy conceives the world. And the latter is at the heart of Nancy's innovative purpose. Trilingual text in French, English, and Persian PLEASE ADD MORE MIRRORS |
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